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https://w.atwiki.jp/elvis/pages/7137.html
Glass From Cinderella's Slippers to Fiber Optics (Material World) Twenty First Century Books? Ruth G. Kassinger? TwentyFirstCenturyBooks? RuthG.Kassinger? ジャンル別? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Other? Subjects-Children sBooks-Science,Nature&HowItWorks-EarthSciences-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-EarthScience? Mae Jemison Out of This World (Gateway Biographies) Millbrook Pr? Corinne J. Naden? Rose Blue? MillbrookPr? CorinneJ.Naden? RoseBlue? ジャンル別? Subjects-Children sBooks-People&Places-Biographies-PeopleofColor? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Riding the Rails Trains Then and Now (Otfinoski, Steven. Here We Go!,) Benchmark Books? Steven Otfinoski? BenchmarkBooks? StevenOtfinoski? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Ages4-8-General? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-General To the Rescue Fire Trucks Then and Now (Otfinoski, Steven. Here We Go!,) Benchmark Books? Steven Otfinoski? BenchmarkBooks? StevenOtfinoski? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? On the Road Trucks Then and Now (Here We Go!,) Benchmark Books? Steven Otfinoski? BenchmarkBooks? StevenOtfinoski? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-General Wild on Wheels Motorcycles Then and Now (Here We Go! (New York, N.Y.).) Benchmark Books? Steven Otfinoski? BenchmarkBooks? StevenOtfinoski? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Subjects-Sports-Miscellaneous-MotorcycleRacing? Whirling Around Helicopters Then and Now (Here We Go , No 3) Marshall Cavendish Corp? Steven Otfinoski? MarshallCavendishCorp? StevenOtfinoski? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Other? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Blasting Off Rockets Then and Now (Here We Go , No 3) Marshall Cavendish Corp? Steven Otfinoski? MarshallCavendishCorp? StevenOtfinoski? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Other? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Children sBooks-Science,Nature&HowItWorks-HeavyMachinery? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? If You Were a Pilot (If You Were a) Benchmark Books? Virginia Schomp? BenchmarkBooks? VirginiaSchomp? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Careers? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Clocks (Great Inventions) Benchmark Books? James Lincoln Collier? BenchmarkBooks? JamesLincolnCollier? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Pupniks The Story of Two Space Dogs Marshall Cavendish Corp/Ccb? S. Ruth Lubka? MarshallCavendishCorp/Ccb? S.RuthLubka? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals-Dogs-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Aeronautics&Astronautics? The Internet and Health Communication Experiences and Expectations Sage Pubns? Ronald E. Rice? James Everett Katz? SagePubns? RonaldE.Rice? JamesEverettKatz? ジャンル別? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Internet? Subjects-Engineering-General? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Words&Language-Communication? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Information Technology and Organizational Transformation History, Rhetoric, and Practice (Organization Science (Thousand Oaks, Calif.).) Sage Pubns? Joanne Yates? John Van Maanen? SagePubns? JoanneYates? JohnVanMaanen? ジャンル別? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Managing Technological Change A Strategic Partnership Approach Sage Pubns? Carol Joyce Haddad? SagePubns? CarolJoyceHaddad? ジャンル別? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Health,Mind&Body-Psychology&Counseling? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-General Technocities Sage Pubns? John Downey? Jim McGuigan? SagePubns? JohnDowney? JimMcGuigan? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Sociology-Urban? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Words&Language-Communication? Subjects-Science-General Advances in Global High-Technology Management Public Policy and the Management of Innovation in Technology-Based Entrepreneurship (Advances in Global High-Technology Management) Jai Pr Luis R. Gomez-Mejia? Michael W. Lawless? JaiPr LuisR.Gomez-Mejia? MichaelW.Lawless? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-Technology-General&Reference Wheels (Fit-a-Shape) Running Pr? Jeremy Gower? RunningPr? JeremyGower? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Real Steel An Illustrated History of the World's Greatest Trains Courage Books? Colin Dennis Garratt? CourageBooks? ColinDennisGarratt? ジャンル別? Subjects-Arts&Photography-Photography-Travel-General? Subjects-Engineering-General? Subjects-History-World-Transportation-Railroads? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Railroads-Pictorial? Subjects-Professional&Technical-Engineering-General Standard for Medical and Dental Equipment Ui 544 Comm 2000? Laboratories Inc. Underwriters? Comm2000? LaboratoriesInc.Underwriters? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-Dentistry-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Medicine-Dentistry-General? Dump Trucks and Diggers Candlewick Pr? Robert Crowther? CandlewickPr? RobertCrowther? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Let's Look Inside the Yellow Truck A Lift-The-Flap Book (Leslie, Amanda. Lift-the-Flap Book.) Candlewick Pr? Amanda Leslie? CandlewickPr? AmandaLeslie? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Baby-3-Pop-Up&Movable-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Cars&Trucks-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General High in the Sky (Supersmarts) Candlewick Pr? Steve Parker? CandlewickPr? SteveParker? ジャンル別? Substores-UnknownASINs-62? Subjects-Children sBooks-Reference&Nonfiction-School&Education? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Making Tracks (Supersmarts) Candlewick Pr? Steve Parker? CandlewickPr? SteveParker? ジャンル別? Substores-UnknownASINs-19? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The History News In Space (History News (Candlewick)) Candlewick Pr? Michael Johnstone? CandlewickPr? MichaelJohnstone? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Astronomy? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Journey into Space A Giant Pop-Up, Fold-Out Book to Read and Display! Candlewick Pr? Tim Furniss? Sadie Fields? CandlewickPr? TimFurniss? SadieFields? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Fiction-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Experiment Research Notebook for Scientists and Engineers Jones & Bartlett Pub? Jones & Bartlett? Jones&BartlettPub? Jones&Bartlett? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Medicine-InternalMedicine-Endocrinology&Metabolism? Complex Analysis for Mathematics and Engineering Jones & Bartlett Pub? John H. Mathews? John Matthews? Russell W. Howell? Jones&BartlettPub? JohnH.Mathews? JohnMatthews? RussellW.Howell? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-General? Subjects-Science-General Subjects-Science-Mathematics-General? Physics for Scientists and Engineers Chapters 23-39 Jones & Bartlett Pub? Lawrence S. Lerner? Jones&BartlettPub? LawrenceS.Lerner? ジャンル別? Subjects-Engineering-General? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Medicine-General? Advanced Engineering Mathematics (Prindle, Weber Schmidt Series in Mathematics) Jones & Bartlett Pub? Dennis G. Zill? Michael R. Cullen? Jones&BartlettPub? DennisG.Zill? MichaelR.Cullen? ジャンル別? Substores-UnknownASINs-60? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-General Subjects-Science-Mathematics-General? Advanced Engineering Mathematics Jones & Bartlett Pub? Dennis G. Zill? Michael R. Cullen? Jones&BartlettPub? DennisG.Zill? MichaelR.Cullen? ジャンル別? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Engineering-General? Advanced Engineering Mathematics Jones & Bartlett Publishers Inc.,U.S.? Zill? Jones&BartlettPublishersInc.,U.S.? Zill? ジャンル別? Substores-UnknownASINs-60? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Advanced Engineering Mathematics International Jones & Bartlett Pub? Zill Dennis G.? Jones&BartlettPub? ZillDennisG.? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Complex Analysis for Mathematics and Engineering Jones & Bartlett Pub? John H. Mathews? Russell W. Howell? Jones&BartlettPub? JohnH.Mathews? RussellW.Howell? ジャンル別? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Complex Analysis for Mathematics And Engineering Jones & Bartlett Pub? John H. Mathews? Russell W. Howell? Jones&BartlettPub? JohnH.Mathews? RussellW.Howell? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Calculus? Advanced Engineering Math 3e (Paper Jones & Bartlett Publishers Inc.,U.S.? Zill? Jones&BartlettPublishersInc.,U.S.? Zill? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Refresher for Operating Safely in Hazardous Environments (Worksafe) Jones & Bartlett Pub? Joseph A. Cocciardi? Jones&BartlettPub? JosephA.Cocciardi? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Medicine-Specialties-EmergencyMedicine? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Emergency? Subjects-Science-General Subjects-Science-Technology-Safety&Health? Subjects-Science-Medicine-Specialties-EmergencyMedicine? Student Solutions to Accompany Advanced Engineering Mathematics Third Edition Jones & Bartlett Publishers? Warren S. Wright? Carol D. Wright? Jones&BartlettPublishers? WarrenS.Wright? CarolD.Wright? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Advanced Engineering Mathematics Jones & Bartlett Pub? Dennis G. Zill? Michael R. Cullen? Jones&BartlettPub? DennisG.Zill? MichaelR.Cullen? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-General? Pioneers of the Air (Great Explorers Series) Barrons Juveniles? Molly Burkett? BarronsJuveniles? MollyBurkett? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Exploration&Discovery? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Other? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Barron's How to Prepare for the Fundamentals of Engineering Fe/Eit Exam Barrons Educational Series Inc? Masoud Olia? Armen Casparian? BarronsEducationalSeriesInc? MasoudOlia? ArmenCasparian? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-General? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-TestPrepCentral-General? On the Job With a Firefighter Neighborhood Guardian (On the Job Series) Barrons Juveniles? Jamie Kyle McGillian? Jake Miller? Susan Gal? BarronsJuveniles? JamieKyleMcGillian? JakeMiller? SusanGal? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Careers? Subjects-Children sBooks-Obsessions-Firefighting? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Barron's How to Prepare for the Fundamentals of Engineering Fe/Eit Exam Fundamentals of Engineering Barrons Educational Series Inc? Masoud Olia? BarronsEducationalSeriesInc? MasoudOlia? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-TestPrepCentral-General? The Best of Time Rolex Wristwatches An Unauthorized History (Schiffer Book for Collectors) Schiffer Pub Ltd? James M. Dowling? Jeffrey P. Hess? SchifferPubLtd? JamesM.Dowling? JeffreyP.Hess? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Europe-Switzerland? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Reference? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Lledo Toys A Collector's Guide With Values (Schiffer Book for Collectors With Values) Schiffer Pub Ltd? Edward Force? SchifferPubLtd? EdwardForce? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Gasoline Treasures With Values (Schiffer Book for Collectors) Schiffer Pub Ltd? Michael Bruner? SchifferPubLtd? MichaelBruner? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Omega Designs (Feast for the Eyes) Schiffer Pub Ltd? Anton Kreuzer? SchifferPubLtd? AntonKreuzer? ジャンル別? Subjects-Arts&Photography-Fashion-History? Subjects-Arts&Photography-Art-ArtHistory-Schools,Periods&Styles? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Europe-Switzerland? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-Fashion? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Amazing Gooney Bird The Saga of the Legendary Dc-3 C-47 Schiffer Pub Ltd? Carroll V. Glines? SchifferPubLtd? CarrollV.Glines? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Guide to Vintage Trade Stimulators Counter Games With Values (Schiffer Book for Collectors) Schiffer Pub Ltd? Richard M. Bueschel? SchifferPubLtd? RichardM.Bueschel? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Reference? Antique Typewriters From Creed to Qwerty (Schiffer Book for Collectors) Schiffer Pub Ltd? Michael H. Adler? SchifferPubLtd? MichaelH.Adler? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Reference? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? German Firefighting Vehicles in World War II (Schiffer Military History Book) Schiffer Pub Ltd? Michael Foedrowitz? SchifferPubLtd? MichaelFoedrowitz? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書
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Sinclair Collectibles (Schiffer Book for Collectors) Schiffer Pub Ltd? Wayne Henderson? Scott Benjamin? SchifferPubLtd? WayneHenderson? ScottBenjamin? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-General Petroleum Collectibles (Schiffer Book for Collectors) Schiffer Pub Ltd? Rick Pease? SchifferPubLtd? RickPease? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-General Memorable Japanese Motorcycles - 1959-1996 Schiffer Pub Ltd? Doug Mitchel? SchifferPubLtd? DougMitchel? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-History-Asia-Japan? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Complete Unauthorized Book of Hot Wheels Schiffer Pub Ltd? Bob Parker? SchifferPubLtd? BobParker? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Roadside Memories A Collection of Vintage Gas Station Photographs (Schiffer Book for Collectors Historians) Schiffer Pub Ltd? Todd P. Helms? Chip Flohe? SchifferPubLtd? ToddP.Helms? ChipFlohe? ジャンル別? Subjects-Arts&Photography-Photography-General? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Arado History of an Aircraft Company (Schiffer Military History) Schiffer Pub Ltd? Jorg Armin Kranzhoff? SchifferPubLtd? JorgArminKranzhoff? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General The Unauthorized Encyclopedia of Corgi Toys (Schiffer Military History) Schiffer Pub Ltd? Bill Manzke? SchifferPubLtd? BillManzke? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Education-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Nonfiction-Education-Reference-Encyclopedias-Military? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Reference-Encyclopedias-Military? More Motorcycle Collectibles (Schiffer Book for Collectors) Schiffer Pub Ltd? Leila Dunbar? SchifferPubLtd? LeilaDunbar? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General A Tour With Texaco (Schiffer Book for Collectors) Schiffer Pub Ltd? Rick Pease? SchifferPubLtd? RickPease? ジャンル別? Subjects-Arts&Photography-Art-Painting-OilPainting? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Victorian Pencils Tools to Jewels Schiffer Pub Ltd? Deborah Crosby? SchifferPubLtd? DeborahCrosby? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Remember Your Rubbers! Collectible Condom Containers (A Schiffer Book for Collectors) Schiffer Pub Ltd? G. K. Elliott? George Goehring? Dennis O Brien? SchifferPubLtd? G.K.Elliott? GeorgeGoehring? DennisO Brien? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Science-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? The Incredible Ball Point Pen A Comprehensive History Price Guide (Schiffer Book for Collectors) Schiffer Pub Ltd? Henry Gostony? Stuart L. Schneider? SchifferPubLtd? HenryGostony? StuartL.Schneider? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? The Horten Brothers and Their All-Wing Aircraft (Schiffer Military/Aviation History) Schiffer Pub Ltd? David Myhra? SchifferPubLtd? DavidMyhra? ジャンル別? Substores-UnknownASINs-19? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Sports-General? Collectble Bells Treasures of Sight and Sound (Schiffer Book for Collectors) Schiffer Pub Ltd? Donna S. Baker? SchifferPubLtd? DonnaS.Baker? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Entertainment-Music-Instruments&Performers-Percussion? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-PerformingArts? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Last of the Flying Clippers The Boeing B-314 Story (Schiffer Military/Aviation History) Schiffer Pub Ltd? M. D. Klaas? SchifferPubLtd? M.D.Klaas? ジャンル別? Subjects-Engineering-General? Subjects-History-Military-Aviation? Subjects-History-Military-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Automobilia (Schiffer Book for Collectors) Schiffer Pub Ltd? Leila Dunbar? Lee Dunbar? SchifferPubLtd? LeilaDunbar? LeeDunbar? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General The History of German Aviation Kurt Tank-Focke Wulf's Designer and Test Pilot (The History of German Aviation) Schiffer Pub Ltd? Wolfgang Wagner? SchifferPubLtd? WolfgangWagner? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-Europe-Germany-General? Subjects-History-Military-Aviation? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Hot Wheels A Collector's Guide (Schiffer Book for Collectors) Schiffer Pub Ltd? Bob Parker? SchifferPubLtd? BobParker? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Gasoline Pump Globes Majors A-P (Schiffer Book for Woodcarvers) Schiffer Pub Ltd? Scott Benjamin? Wayne Henderson? SchifferPubLtd? ScottBenjamin? WayneHenderson? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Modern Exterior Ballistics The Launch and Flight Dynamics of Symmetric Projectiles Schiffer Pub Ltd? R. L. McCoy? SchifferPubLtd? R.L.McCoy? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-General? Willy Messerschmitt, Pioneer of Aviation Design Schiffer Pub Ltd? Kaiser Ebert? SchifferPubLtd? KaiserEbert? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General French Aeroplanes Before the Great War (Schiffer Military History) Schiffer Pub Ltd? Leonard Eckstein Opdycke? SchifferPubLtd? LeonardEcksteinOpdycke? ジャンル別? Subjects-Engineering-General? Subjects-History-Europe-France-General? Subjects-History-Europe-General? Subjects-History-Military-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General More Gulf Oil Collectibles An Unauthorized Guide (Schiffer Book for Collectors) Schiffer Pub Ltd? Charles Whitworth? SchifferPubLtd? CharlesWhitworth? ジャンル別? Subjects-Arts&Photography-Art-Painting-OilPainting? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General A World of Bus Toys and Models (Schiffer Book for Collectors) Schiffer Pub Ltd? Kurt M. Resch? Richard Romagnoli? SchifferPubLtd? KurtM.Resch? RichardRomagnoli? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Wristwatches History of a Century's Development (Schiffer Book for Collectors) Schiffer Pub Ltd? Helmut Kahlert? Richard Muhe? SchifferPubLtd? HelmutKahlert? RichardMuhe? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Antique Motorcycle Toys Featuring the Collection of "Indian" Al Liebowitz (Schiffer Book for Collectors) Schiffer Pub Ltd? Rich Bertoia? SchifferPubLtd? RichBertoia? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General More Collectible Bells Classic to Contemporay (Schiffer Book for Collectors) Schiffer Pub Ltd? Donna S. Baker? SchifferPubLtd? DonnaS.Baker? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Entertainment-Music-Instruments&Performers-Percussion? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General American Shelf and Wall Clocks A Pictorial History for Collectors (Schiffer Book for Collectors) Schiffer Pub Ltd? Robert W. D. Ball? SchifferPubLtd? RobertW.D.Ball? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Breitling The History of a Great Brand of Watches 1884 to the Present (Schiffer Book for Collectors) Schiffer Pub Ltd? Benno Richter? SchifferPubLtd? BennoRichter? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Europe-Switzerland? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Definitive Guide to Colorful Insulators (Schiffer Book for Collectors) Schiffer Pub Ltd? Mike Bruner? SchifferPubLtd? MikeBruner? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Glass&Glassware? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-General The Unauthorized Guide to Collecting Sohio Bring Your Car Up to Standard (The Unauthorized Guide to Collecting) Schiffer Pub Ltd? W. Clark Miller? Sabra Sonewald? SchifferPubLtd? W.ClarkMiller? SabraSonewald? ジャンル別? Subjects-Arts&Photography-Art-Painting-OilPainting? Subjects-Engineering-General? Subjects-Entertainment-PopCulture-Collectibles? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-PopularCulture? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Patios, Driveways, and Plazas The Pattern Language of Concrete Pavers Schiffer Publishing? David R. Smith? Interlocking Concrete Pavement Institute? SchifferPublishing? DavidR.Smith? InterlockingConcretePavementInstitute? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Home&Garden-Gardening&Horticulture-GardenDesign? Subjects-Home&Garden-Gardening&Horticulture-Outdoor&RecreationalAreas? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-General Encyclopedia of Matchbox Toys (Schiffer Book for Collectors) Schiffer Pub Ltd? Charlie MacK? SchifferPubLtd? CharlieMacK? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Education-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Reference-General? Backyards and Boulevards A Portfolio of Paver Projects Schiffer Publishing? David R. Smith? SchifferPublishing? DavidR.Smith? ジャンル別? Substores-UnknownASINs-62? Subjects-Arts&Photography-Architecture-Landscape? Subjects-Engineering-General? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Landscape? Smart Homes for Dummies (For Dummies) Hungry Minds Inc? Daniel D. Briere? Pat Hurley? HungryMindsInc? DanielD.Briere? PatHurley? ジャンル別? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-Software-IntroductoryGuides-ForDummies General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Lego Mindstorms for Dummies (For Dummies (Computer/Tech)) For Dummies? Michael Meadhra? Peter J. Stouffer? ForDummies? MichaelMeadhra? PeterJ.Stouffer? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Automation? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Autocad 13 Secrets (The Secrets Series) John Wiley & Sons Inc (Computers)? David Walsh? William R. Valaski? Robert L. Knight? JohnWiley&SonsInc(Computers)? DavidWalsh? WilliamR.Valaski? RobertL.Knight? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD13? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD13? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD13? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? ByPublisher-JohnWiley&Sons-JohnWileyArchitectureStore-Design&Drawing-Computer-AidedDesign? Autocad 14 Bible (Bible) Hungry Minds Inc? Ellen Finkelstein? HungryMindsInc? EllenFinkelstein? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD14? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Audel Millwrights and Mechanics Guide (Audel Technical Trades Series) Audel Books? Thomas Bieber Davis? Carl A. Nelson? AudelBooks? ThomasBieberDavis? CarlA.Nelson? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Automotive? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-General Electrician's Pocket Manual (Audel Technical Trades Series) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-Reference-Engineering? Audel Questions and Answers for Electrician's Examinations (Audel Technical Trades Series) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-Testing? Subjects-Science-General Audel Installion Requirements of the 2002 National Electrical Code (Audel Installation Requirements of the National Electrical Code) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Reference? Subjects-Engineering-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Auto Repair for Dummies (For Dummies (Computer/Tech)) John Wiley & Sons? Deanna Sclar? Deanne Sclar? JohnWiley&Sons? DeannaSclar? DeanneSclar? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General Buying a Car for Dummies (For Dummies (Computer/Tech)) For Dummies? Deanna Sclar? ForDummies? DeannaSclar? ジャンル別? Subjects-Business&Investing-PersonalFinance-General? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Visio 2003 Bible John Wiley & Sons Inc (Computers)? Bonnie Biafore? JohnWiley&SonsInc(Computers)? BonnieBiafore? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Networking-DataintheEnterprise-Accounting? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-Applications-Visio? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-CAD&CAM? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM? Subjects-Professional&Technical-Engineering-General Audel House Wiring (Audel Technical Trades Series) Audel Books? Paul Rosenberg? Roland E. Palmquist? AudelBooks? PaulRosenberg? RolandE.Palmquist? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Refrigeration Home And Commercial (Audel Technical Trades Series) Audel Books? Rex Miller? Mark Richard Miller? Edwin P. Anderson? AudelBooks? RexMiller? MarkRichardMiller? EdwinP.Anderson? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General HDTV For Dummies (For Dummies) Wiley Publishing? Daniel D. Briere? Patrick J. Hurley? WileyPublishing? DanielD.Briere? PatrickJ.Hurley? ジャンル別? Subjects-Computers&Internet-Software-IntroductoryGuides-ForDummies General? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-Television&Video? Subjects-Entertainment-Movies-Video-Technical? Subjects-Home&Garden-How-to&HomeImprovements-Reference? Subjects-Professional&Technical-Engineering-Telecommunications-Television&Video? Subjects-Professional&Technical-Engineering-General Guide To The 2005 National Electrical Code (Audel Guide to the National Electrical Code) Audel Books? Paul Rosenberg? AudelBooks? PaulRosenberg? ジャンル別? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Installation Requirements Of The 2005 National Electrical Code (Audel Installation Requirements of the National Electrical Code) Audel Books? Paul Rosenberg? AudelBooks? 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ACTE DEUXIÈME (Dans les jardins de Richmond. Un carrefour de verdure auquel aboutissent plusieurs avenues. Apprêts d une fête) ▼Scène I▲ (Don Gomez) ▼CHŒUR▲ Joyeux enfants qui ne savez encore Les lourds secrets du monde et de la Cour, En doux refrains comme en jeux tour à tour S évanouit votre gaieté sonore. Quand des soucis pour vous viendra le jour Rappelez-vous les plaisirs de l aurore. ▼DON GOMEZ▲ (sombre) Norfolk avait dit vrai! J ai vainement douté! En vain, pour me rapprocher d elle À Londres j avais tout tenté, Ne pouvant la croire infidèle! Et j espérais encor, si grande était ma foi! Mais ici plus de doutes et plus d espoir qui leurre Elle est ici près de ce roi Qui déserte la ville à l heure Où la peste y sème l effroi! Tandis que la reine y demeure! Elle est ici près de ce roi! Ah! le lâche! ah! la criminelle! Je veux pour guérir ma raison Qu affola sa beauté cruelle, Savoir ce qu elle porte en elle D infamie et de trahison! Ah! par quelle ironie étrange Le ciel mit-il sous ce front d ange Le génie ami d un démon Ô mensonge d un doux visage! Ô charme trompeur de ses yeux! Je sens dans mon cœur anxieux Renaître et mourir le courage. Tout me redit son crime, hélas! Sans convaincre mon cœur rebelle. Ô sort plus dur que le trépas! Jamais je ne la vis si belle! (Anne apparaît au fond d une avenue accompagnée de femmes qui chantent sur un rythme caressant.) C est elle! La douleur a brisé ma colère! ▼CHŒUR DES FEMMES▲ Noble dame, pour vous plaire Tout s empresse autour de vous, Sans vouloir d autre salaire Que vos sourires si doux! Chants d oiseaux, parfums de roses, Cœurs épris, charmantes choses, Tout s empresse autour de vous! ▼ANNE▲ C est par vous, ô demoiselles, Que ces lieux sont embellis Mieux que par le bruit des ailes Et par la blancheur des lis. Comme aux fleurs un lit de mousse, Près de vous la vie est douce, Pleine de charme et d oublis. (En apercevant Don Gomez, Anne fait un geste de surprise et de frayeur, puis fait signe à ses femmes de s éloigner.) ▼Scène II▲ (Don Gomez, Anne) ▼DON GOMEZ▲ Elle vient de quel front va m aborder l infâme? ▼ANNE▲ (allant à lui avec une grâce forcée) Je suis heureuse sur mon âme, Gomez, de vous revoir. ▼DON GOMEZ▲ Bonheur que vous avez À Londres refusé, madame. ▼ANNE▲ J étais alors, vous le savez Toute au service de la reine. ▼DON GOMEZ▲ Assez de mensonges, vraiment, De feindre, ce n est plus la peine! Anne, qui vous a fait oublier le serment Qui pour jamais à moi vous lie? ▼ANNE▲ (tristement) Et qui vous dit que je l oublie? ▼DON GOMEZ▲ Vous m aimiez, disiez-vous? ▼ANNE▲ Et je le dis encore, Oui, votre amour me fut un immense bonheur, S il me prit mon repos, il me rendit l honneur. ▼DON GOMEZ▲ Par la fidélité seule, une âme s honore! ▼ANNE▲ (apercevant Henry VIII) Ciel! le Roi! ▼Scène III▲ (Henry, Don Gomez, Anne) ▼HENRY▲ (avec étonnement, à Don Gomez) Vous ici, monsieur, faisant la cour À la belle marquise? ▼DON GOMEZ▲ En France, autrefois, sire, J eus l honneur de la voir un jour. ▼HENRY▲ Ce fut assez pour vous soumettre à son empire! Je lui donne ce soir (d un air de menace) Une fête ici même et compte vous y voir. ▼DON GOMEZ▲ Sire, j obéirai. (Il s incline et se retire en jetant sur Anne un douloureux regard.) ▼Scène IV▲ (Henry, Anne) ▼HENRY▲ Chère Anne que j implore, Vous trouvez-vous heureuse ici? À vous plaire ai-je réussi? Puis-je espérer enfin? ▼ANNE▲ (avec fermeté) Je vous le dis encore; Sire, n espérez rien de moi! ▼HENRY▲ Rien! Pourquoi donc alors te montrer, fille ingrate, Heureuse des honneurs où mon amour éclate? ▼ANNE▲ Vous osez demander pourquoi? C est pour laver la flétrissure, Qu à mon nom jadis plein d honneur Mit le triste amour de ma sœur! ▼HENRY▲ N évoque pas, je t en conjure, Cette affreuse douleur! Ah! tes doutes sont des blasphèmes! Paix du foyer, souci du rang, Honneurs que mérite mon sang, J ai tout quitté pour que tu m aimes! ▼ANNE▲ Attendez donc encor! ▼HENRY▲ Ne désespère pas Un amour qui ferait ta fierté si contente! Ah! si tu le voulais, ingrate, sous tes pas, Tant d honneurs te feraient une route éclatante, Que ton destin serait le plus grand d ici-bas! ▼ANNE▲ N achevez pas! oh! n achevez pas, Sire! ▼HENRY▲ Oui, je comprends! que vaut l empire! Que vaut la fortune d un Roi, Auprès de ton divin sourire, Auprès d un seul regard de toi? ▼ANNE▲ (s attendrissant) Oh! malgré moi, sa voix me touche! ▼HENRY▲ Ah! ne me reste pas farouche, Laisse enfin ton cœur s attendrir, Vienne un sourire sur ta bouche Et pour moi le ciel va s ouvrir! ▼ANNE▲ Quel rêve, quel avenir! ▼HENRY▲ De ton regard la douceur me pénètre, De doux frissons il emplit tout mon être! Ô mon amour, crois donc en moi! Ton esclave, c est ton roi! ▼ANNE▲ De ses regards la chaleur me pénètre. ▼HENRY▲ Oui, pour jamais je t ai donné mon âme, Une tendresse éternelle m enflamme, Ce jour pour nous est un beau jour, Si tu crois à mon amour! ▼ANNE▲ (avec un effort) Ah! Sire, gardez votre amour! ▼HENRY▲ (essayant de la prendre dans ses bras) Je t aime, je te veux, ma belle enchanteresse! ▼ANNE▲ (se réveillant de son rêve et le repoussant) Non! non! jamais votre maîtresse! ▼HENRY▲ Ma maîtresse, dis-tu? Qui parle de cela? Ma femme! ▼ANNE▲ (avec éclat) Que dites-vous là? Votre femme? ▼HENRY▲ Oui. ▼ANNE▲ Parole vaine! ▼HENRY▲ La reine alors n est plus la reine, Et la reine, c est toi! ▼ANNE▲ (très troublée) Mais ce lien sacré Qui vous fait son époux? ▼HENRY▲ Eh bien! je le romprai. ▼ANNE▲ Rêve que tout cela! ▼HENRY▲ (tendrement) Non! ce n est pas un rêve! C est bientôt la réalité, Tu n avais pas assez compté Sur l amour profond qui m a fait, sans trêve, L humble esclave de ta beauté. Repousseras-tu donc, d un époux respecté, Avec un nom royal, la pourpre souveraine? ▼ANNE▲ (comme affolée) Reine! reine! Je serais reine! ▼HENRY▲ Refuseras-tu donc de suivre cet époux Sur le chemin d honneur où son amour t entraîne? ▼ANNE▲ (même jeu) Reine! reine! je serais reine! ▼HENRY▲ J en jure par le ciel et par ces yeux si doux! ▼ANNE▲ Je cède au rêve qui m enivre, Comment repousser un tel sort? Ah! sire, je jure de vivre Fidèle à vous jusqu à la mort! Aimons-nous d un amour puissant et fort! ▼HENRY▲ Ah! cède au rêve qui t enivre! Pourquoi repousser un tel sort? Chère Anne, jure-moi de vivre Fidèle à moi jusqu à la mort! Aimons-nous d un amour profond puissant et fort! (Anne est dans les bras d Henry VIII.) ▼HENRY▲ (tout bas) Tu seras, n est-ce pas, ma femme? ▼ANNE▲ (plus bas encore) Oui, votre femme, Jurez-le! ▼HENRY▲ (solennellement) Sur mon âme Je le jure! Je suis à toi jusqu à la mort. (Surrey apparaît et le roi s arrache des bras d Anne pour le suivre, mais non sans échanger avec elle un regard d adieu plein de tendresse) ▼Scène V▲ (Anne) ▼ANNE▲ Reine! je serai reine! Ah! ce n est plus un rêve! Plus haut que mes rêves pâlis, Mon destin glorieux se lève Sur tous mes projets abolis! Je vais donc enfin te connaître, Ivresse du pouvoir, suprême volupté! J aurai pour esclave le maître, Le maître de tous redouté! De ceux qui jadis m ont bravée, J aurai, pour défier l affront, Un sceptre dans ma main levée, Une couronne sur mon front! Sûre aujourd hui de la victoire Et d un triomphe sans retour, Enfin je saurai si la gloire Ne fait pas oublier l amour! Enfin je connaîtrai la gloire! L humble fille d hier sera reine demain! (À ce moment apparaît Catherine qui s avance lentement vers elle.) ▼Scène VI▲ (Anne, Catherine) ▼CATHERINE▲ (lui posant la main sur l épaule) Pauvre fille! que Dieu t arrête en ton chemin. (avec autorité) Regarde-moi! Je suis la reine d Angleterre! La reine au cœur clément, qui, te voyant à terre, Un jour vers toi tendit sa main! Avant d oser, pour récompense, Lever les yeux sur mon époux, Tu n as pas mesuré, je pense, Quel abîme existe entre nous? En te voyant à ce point descendue, Longtemps, oubliant mon courroux, J ai plaint l orgueil qui t a perdue, Prends garde maintenant! ▼ANNE▲ Mais, madame, je vous jure que... ▼CATHERINE▲ Crois-tu donc que mes regards jaloux Dans tes projets obscurs ne t aient pas poursuivie? ▼ANNE▲ Hélas! madame, sur ma vie Pour fuir le roi j avais tout fait. ▼CATHERINE▲ (ironiquement) C est pour le fuir qu on te vit, en effet, En accepter titres, honneurs, fortune? ▼ANNE▲ Mais je ne demandais aucune De ces faveurs dont le poids m accablait. ▼CATHERINE▲ (même jeu) Tu ne demandais rien? Sans en être enhardie, Tu souffrais, des faveurs dont t accablait le roi, N est-ce pas, pauvre enfant?... Et vous voudrais que, moi, Je crusse à cette comédie! Non!... je sais les calculs de ta feinte douceur Il te reste en effet, - à merveille, tu comptes- À te faire payer deux hontes La tienne et celle de ta sœur! ▼ANNE▲ (se relevant furieuse) Dieu m est témoin, madame, Que je voulais vous respecter ici! Mais puisqu on est pour moi sans pitié ni merci, Je saurai me venger. Soit! torturez mon âme! Votre époux est à moi. Je relève le front! ▼CATHERINE▲ Assez! C est trop longtemps écouter une infâme! C est trop longtemps subir l affront! Va! poursuis dans l ombre ta trame; Méprisée en tout lieu! Va! mais ne tente pas la justice de Dieu! Pour châtier ton cœur rebelle C est à ce Dieu que j en appelle À mon époux il rendra la fierté... Et, s il m abandonne en ce monde, C est plus haut et plus loin que mon espoir se fonde Anne, gardez le temps! j aurai l éternité! ▼Scène VII▲ (Les mêmes, Henry, Don Gomez, Lady Clarence, Surrey, Norfolk, puis le Légat) ▼HENRY▲ (avec colère) Eh! quoi, madame, vous ici? ▼ANNE▲ (s avançant résolument) Sire, défendez-moi. ▼CATHERINE▲ Sire, j y viens rappeler à mon roi Que je suis la reine. ▼HENRY▲ Pourquoi? Je n ai pas encor, sur mon âme, Dit le contraire. ▼CATHERINE▲ (épouvantée) Pas encor? ▼HENRY▲ Et vous serez reine, d accord, Jusqu au jour où la loi, par mes soins consultée, De mon trône royal vous aura rejetée. Demain vous saurez votre sort. ▼NORFOLK▲ (annonçant le légat qui le suit) Monseigneur, le légat du pape. ▼CATHERINE▲ (avec un cri d espoir) Mon refuge! ▼HENRY▲ (à Catherine) Non! c est le Parlement qui sera votre juge. (à Norfolk) Qu il soit le bienvenu. (Le légat est introduit) ▼LE LÉGAT▲ Salut, roi d Angleterre. Au nom du Pape-roi, représentant sur terre Du Dieu puissant et doux que nous servons tous deux, Sachant ton âme en proie aux desseins hasardeux, Je viens pour te parler une parole austère. ▼HENRY▲ (au légat) De l écouter demain nous aurons le loisir. (à Anne) Madame, en attendant, soyons tout au plaisir. (Un bouffon vient annoncer au roi que tout est prêt pour la fête. Le roi fait signe qu on peut commencer. Catherine et le légat se retirent. Les autres personnages se dispersent dans les jardins, Henry sort, donnant la main à Anne.) Divertissement (Fête populaire dans le parc de Richmond) 1 - Introduction. Entrée des Clans. 2 - Idylle écossaise. 3 - La fête du houblon. 4 - Danse de la gitane. 5 - Scherzetto. 6 - Gigue et Finale. ACTE DEUXIÈME (Dans les jardins de Richmond. Un carrefour de verdure auquel aboutissent plusieurs avenues. Apprêts d une fête) Scène I (Don Gomez) CHŒUR Joyeux enfants qui ne savez encore Les lourds secrets du monde et de la Cour, En doux refrains comme en jeux tour à tour S évanouit votre gaieté sonore. Quand des soucis pour vous viendra le jour Rappelez-vous les plaisirs de l aurore. DON GOMEZ (sombre) Norfolk avait dit vrai! J ai vainement douté! En vain, pour me rapprocher d elle À Londres j avais tout tenté, Ne pouvant la croire infidèle! Et j espérais encor, si grande était ma foi! Mais ici plus de doutes et plus d espoir qui leurre Elle est ici près de ce roi Qui déserte la ville à l heure Où la peste y sème l effroi! Tandis que la reine y demeure! Elle est ici près de ce roi! Ah! le lâche! ah! la criminelle! Je veux pour guérir ma raison Qu affola sa beauté cruelle, Savoir ce qu elle porte en elle D infamie et de trahison! Ah! par quelle ironie étrange Le ciel mit-il sous ce front d ange Le génie ami d un démon Ô mensonge d un doux visage! Ô charme trompeur de ses yeux! Je sens dans mon cœur anxieux Renaître et mourir le courage. Tout me redit son crime, hélas! Sans convaincre mon cœur rebelle. Ô sort plus dur que le trépas! Jamais je ne la vis si belle! (Anne apparaît au fond d une avenue accompagnée de femmes qui chantent sur un rythme caressant.) C est elle! La douleur a brisé ma colère! CHŒUR DES FEMMES Noble dame, pour vous plaire Tout s empresse autour de vous, Sans vouloir d autre salaire Que vos sourires si doux! Chants d oiseaux, parfums de roses, Cœurs épris, charmantes choses, Tout s empresse autour de vous! ANNE C est par vous, ô demoiselles, Que ces lieux sont embellis Mieux que par le bruit des ailes Et par la blancheur des lis. Comme aux fleurs un lit de mousse, Près de vous la vie est douce, Pleine de charme et d oublis. (En apercevant Don Gomez, Anne fait un geste de surprise et de frayeur, puis fait signe à ses femmes de s éloigner.) Scène II (Don Gomez, Anne) DON GOMEZ Elle vient de quel front va m aborder l infâme? ANNE (allant à lui avec une grâce forcée) Je suis heureuse sur mon âme, Gomez, de vous revoir. DON GOMEZ Bonheur que vous avez À Londres refusé, madame. ANNE J étais alors, vous le savez Toute au service de la reine. DON GOMEZ Assez de mensonges, vraiment, De feindre, ce n est plus la peine! Anne, qui vous a fait oublier le serment Qui pour jamais à moi vous lie? ANNE (tristement) Et qui vous dit que je l oublie? DON GOMEZ Vous m aimiez, disiez-vous? ANNE Et je le dis encore, Oui, votre amour me fut un immense bonheur, S il me prit mon repos, il me rendit l honneur. DON GOMEZ Par la fidélité seule, une âme s honore! ANNE (apercevant Henry VIII) Ciel! le Roi! Scène III (Henry, Don Gomez, Anne) HENRY (avec étonnement, à Don Gomez) Vous ici, monsieur, faisant la cour À la belle marquise? DON GOMEZ En France, autrefois, sire, J eus l honneur de la voir un jour. HENRY Ce fut assez pour vous soumettre à son empire! Je lui donne ce soir (d un air de menace) Une fête ici même et compte vous y voir. DON GOMEZ Sire, j obéirai. (Il s incline et se retire en jetant sur Anne un douloureux regard.) Scène IV (Henry, Anne) HENRY Chère Anne que j implore, Vous trouvez-vous heureuse ici? À vous plaire ai-je réussi? Puis-je espérer enfin? ANNE (avec fermeté) Je vous le dis encore; Sire, n espérez rien de moi! HENRY Rien! Pourquoi donc alors te montrer, fille ingrate, Heureuse des honneurs où mon amour éclate? ANNE Vous osez demander pourquoi? C est pour laver la flétrissure, Qu à mon nom jadis plein d honneur Mit le triste amour de ma sœur! HENRY N évoque pas, je t en conjure, Cette affreuse douleur! Ah! tes doutes sont des blasphèmes! Paix du foyer, souci du rang, Honneurs que mérite mon sang, J ai tout quitté pour que tu m aimes! ANNE Attendez donc encor! HENRY Ne désespère pas Un amour qui ferait ta fierté si contente! Ah! si tu le voulais, ingrate, sous tes pas, Tant d honneurs te feraient une route éclatante, Que ton destin serait le plus grand d ici-bas! ANNE N achevez pas! oh! n achevez pas, Sire! HENRY Oui, je comprends! que vaut l empire! Que vaut la fortune d un Roi, Auprès de ton divin sourire, Auprès d un seul regard de toi? ANNE (s attendrissant) Oh! malgré moi, sa voix me touche! HENRY Ah! ne me reste pas farouche, Laisse enfin ton cœur s attendrir, Vienne un sourire sur ta bouche Et pour moi le ciel va s ouvrir! ANNE Quel rêve, quel avenir! HENRY De ton regard la douceur me pénètre, De doux frissons il emplit tout mon être! Ô mon amour, crois donc en moi! Ton esclave, c est ton roi! ANNE De ses regards la chaleur me pénètre. HENRY Oui, pour jamais je t ai donné mon âme, Une tendresse éternelle m enflamme, Ce jour pour nous est un beau jour, Si tu crois à mon amour! ANNE (avec un effort) Ah! Sire, gardez votre amour! HENRY (essayant de la prendre dans ses bras) Je t aime, je te veux, ma belle enchanteresse! ANNE (se réveillant de son rêve et le repoussant) Non! non! jamais votre maîtresse! HENRY Ma maîtresse, dis-tu? Qui parle de cela? Ma femme! ANNE (avec éclat) Que dites-vous là? Votre femme? HENRY Oui. ANNE Parole vaine! HENRY La reine alors n est plus la reine, Et la reine, c est toi! ANNE (très troublée) Mais ce lien sacré Qui vous fait son époux? HENRY Eh bien! je le romprai. ANNE Rêve que tout cela! HENRY (tendrement) Non! ce n est pas un rêve! C est bientôt la réalité, Tu n avais pas assez compté Sur l amour profond qui m a fait, sans trêve, L humble esclave de ta beauté. Repousseras-tu donc, d un époux respecté, Avec un nom royal, la pourpre souveraine? ANNE (comme affolée) Reine! reine! Je serais reine! HENRY Refuseras-tu donc de suivre cet époux Sur le chemin d honneur où son amour t entraîne? ANNE (même jeu) Reine! reine! je serais reine! HENRY J en jure par le ciel et par ces yeux si doux! ANNE Je cède au rêve qui m enivre, Comment repousser un tel sort? Ah! sire, je jure de vivre Fidèle à vous jusqu à la mort! Aimons-nous d un amour puissant et fort! HENRY Ah! cède au rêve qui t enivre! Pourquoi repousser un tel sort? Chère Anne, jure-moi de vivre Fidèle à moi jusqu à la mort! Aimons-nous d un amour profond puissant et fort! (Anne est dans les bras d Henry VIII.) HENRY (tout bas) Tu seras, n est-ce pas, ma femme? ANNE (plus bas encore) Oui, votre femme, Jurez-le! HENRY (solennellement) Sur mon âme Je le jure! Je suis à toi jusqu à la mort. (Surrey apparaît et le roi s arrache des bras d Anne pour le suivre, mais non sans échanger avec elle un regard d adieu plein de tendresse) Scène V (Anne) ANNE Reine! je serai reine! Ah! ce n est plus un rêve! Plus haut que mes rêves pâlis, Mon destin glorieux se lève Sur tous mes projets abolis! Je vais donc enfin te connaître, Ivresse du pouvoir, suprême volupté! J aurai pour esclave le maître, Le maître de tous redouté! De ceux qui jadis m ont bravée, J aurai, pour défier l affront, Un sceptre dans ma main levée, Une couronne sur mon front! Sûre aujourd hui de la victoire Et d un triomphe sans retour, Enfin je saurai si la gloire Ne fait pas oublier l amour! Enfin je connaîtrai la gloire! L humble fille d hier sera reine demain! (À ce moment apparaît Catherine qui s avance lentement vers elle.) Scène VI (Anne, Catherine) CATHERINE (lui posant la main sur l épaule) Pauvre fille! que Dieu t arrête en ton chemin. (avec autorité) Regarde-moi! Je suis la reine d Angleterre! La reine au cœur clément, qui, te voyant à terre, Un jour vers toi tendit sa main! Avant d oser, pour récompense, Lever les yeux sur mon époux, Tu n as pas mesuré, je pense, Quel abîme existe entre nous? En te voyant à ce point descendue, Longtemps, oubliant mon courroux, J ai plaint l orgueil qui t a perdue, Prends garde maintenant! ANNE Mais, madame, je vous jure que... CATHERINE Crois-tu donc que mes regards jaloux Dans tes projets obscurs ne t aient pas poursuivie? ANNE Hélas! madame, sur ma vie Pour fuir le roi j avais tout fait. CATHERINE (ironiquement) C est pour le fuir qu on te vit, en effet, En accepter titres, honneurs, fortune? ANNE Mais je ne demandais aucune De ces faveurs dont le poids m accablait. CATHERINE (même jeu) Tu ne demandais rien? Sans en être enhardie, Tu souffrais, des faveurs dont t accablait le roi, N est-ce pas, pauvre enfant?... Et vous voudrais que, moi, Je crusse à cette comédie! Non!... je sais les calculs de ta feinte douceur Il te reste en effet, - à merveille, tu comptes- À te faire payer deux hontes La tienne et celle de ta sœur! ANNE (se relevant furieuse) Dieu m est témoin, madame, Que je voulais vous respecter ici! Mais puisqu on est pour moi sans pitié ni merci, Je saurai me venger. Soit! torturez mon âme! Votre époux est à moi. Je relève le front! CATHERINE Assez! C est trop longtemps écouter une infâme! C est trop longtemps subir l affront! Va! poursuis dans l ombre ta trame; Méprisée en tout lieu! Va! mais ne tente pas la justice de Dieu! Pour châtier ton cœur rebelle C est à ce Dieu que j en appelle À mon époux il rendra la fierté... Et, s il m abandonne en ce monde, C est plus haut et plus loin que mon espoir se fonde Anne, gardez le temps! j aurai l éternité! Scène VII (Les mêmes, Henry, Don Gomez, Lady Clarence, Surrey, Norfolk, puis le Légat) HENRY (avec colère) Eh! quoi, madame, vous ici? ANNE (s avançant résolument) Sire, défendez-moi. CATHERINE Sire, j y viens rappeler à mon roi Que je suis la reine. HENRY Pourquoi? Je n ai pas encor, sur mon âme, Dit le contraire. CATHERINE (épouvantée) Pas encor? HENRY Et vous serez reine, d accord, Jusqu au jour où la loi, par mes soins consultée, De mon trône royal vous aura rejetée. Demain vous saurez votre sort. NORFOLK (annonçant le légat qui le suit) Monseigneur, le légat du pape. CATHERINE (avec un cri d espoir) Mon refuge! HENRY (à Catherine) Non! c est le Parlement qui sera votre juge. (à Norfolk) Qu il soit le bienvenu. (Le légat est introduit) LE LÉGAT Salut, roi d Angleterre. Au nom du Pape-roi, représentant sur terre Du Dieu puissant et doux que nous servons tous deux, Sachant ton âme en proie aux desseins hasardeux, Je viens pour te parler une parole austère. HENRY (au légat) De l écouter demain nous aurons le loisir. (à Anne) Madame, en attendant, soyons tout au plaisir. (Un bouffon vient annoncer au roi que tout est prêt pour la fête. Le roi fait signe qu on peut commencer. Catherine et le légat se retirent. Les autres personnages se dispersent dans les jardins, Henry sort, donnant la main à Anne.) Divertissement (Fête populaire dans le parc de Richmond) 1 - Introduction. Entrée des Clans. 2 - Idylle écossaise. 3 - La fête du houblon. 4 - Danse de la gitane. 5 - Scherzetto. 6 - Gigue et Finale. Saint-Saëns,Camille/Henry VIII/III
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Pre-Solve Tracker Checking 解析前のトラッカーチェック 訳者注）グラフのポイントはVelocity Spikes（速度スパイク）を見つけることにあるようです。 トラッカーが途中で間違ったものを追ってしまった場合、一瞬にして別の場所へ移動します。トラッカーの移動速度が一瞬上がるわけです。これを見つけだすことで不正なトラッカーを見つけだすことができます。 （以下本文） 手動トラッキングをしているとき、十分なトラッカーがショットを通して配置できていることを確認するために、ショットを解析し始める前に定期的にトラッカーをチェックしなければなりません。 ショットを解析し始める前、自動トラッキングの後にも、トラッカーをチェックすることができます。 （単純なショットの場合、自動トラッカーでトラッキングから解析までを直接行うことができます。） このセクションは、解析する前にトラッカーを検査する方法を記載します。 SynthEyesGraph Editorを紹介します。 解析した後に、clean-up toolを含む、他のテクニックとツールを利用できます。 Tip：以下のツール・ティプスの内、自動トラッカーは灰色、 手動トラッカーは金色の背景が表示されます。 Checking the Tracker Trails トラッカー・テイルをチェックする 以下の手順は、問題あるトラッカーと状態（例えば、あまりに役に立つトラッカーが少ないフレームなど）を直ぐにチェックする方法です。 1. カメラ・ビューへ移動してください 2.メインまたは右クリック・メニューで、View/Show Imageをオフにしてください。 3.ショットのタイム・バー上で、クリック ドラッグで左右にマウスを動かし(スクラブし)、以下を探してください ・多くのトラッカーがないイメージの領域 ・全イメージが多くのトラッカーを持っていないショットの部分 ・他と違った方向に動いているトラッカー 4. メインまたは右クリック・メニューでView/Show tracker trailsをオンにしてください。 5. ショットのタイム・バー上でスクラブし、以下を探してください ・トラックの始まりか最後のおかしいフック（特に画像の端で現れます） ・テイルが不連続にジグザグしているもの。 イメージなしの方がモーション・パスを分析しやすいはずです。おそらく、イメージ自体によって惑わされないからです。 このプロセスは、問題の多いショット(低いパースペクティブによるショット、三脚で突然撮られたショット、若干のドリーまたは揺れている三脚ショット、中央のどこかに少しズームがあるショット)の性質を決定するのに有効です。 Checking Tracker Lifetimes Graph Editorのトラックビューでショットを通してフレーム毎にどのくらい多くのトラッカーが有効か概要をみることができます。 graph editorはツールバーのボタンを使用してフローティングウインドウにすることができます。また、それは、それ自体によるビューポートとして、または、他のビューポート構成の一部とにすることができます。 グラフ・エディタを開けたあと、以前に再生していたならば、それがトラック・ビューであることを確認してください。 ショットが手動トラッキングであるならば、アルファベットソートからタイムソートにしてください。 ウインドウの大きさを変更したならば、横スケーリングもリセットしてください。 次にパネルの右下ののボタンをクリックします。選択すると、トラッカーカウントバックグラウンドが見えている状態で、キーが消え、グラフが圧縮されます。グラフエディタはこのようにみえるはずです。 各バーは一つのトラッカーに対応しています。 Tracker4は選択されていて、強調されています。 色分けされたバックグラウンドは、トラッカーの数が、左で問題が多く、中央はOKで、右で安全を示します。 あなたは好きに、セーフレベルを構成できます。 このレベル(デフォルト12)を超えると、バックグラウンドは白くなるでしょう(グレーを暗いUI設定にしてください)。 しかし、セーフレベルを下回ると、バックグラウンドは Ok の、緑色の明るい色合いになるでしょう。 トラッカーの数はOKですが、希望するセーフレベルに達するほど高いわけではありません。 この圧縮された画面はトラッカーがショットの間中どう分配されているかにおける素晴らしいクイック・ルックを与えます。 色分けは三脚台モードショットと保持領域があるショットにより異なります。 ウェイトが0のトラッカーは数えません。 Hint When the graph editor is in graph mode, you can look at a direct graph of the number of valid trackers on each frame by turning on the #Normal channel of the Active Trackers node. If there are unavoidably too few trackers on some frames, you can use the Skip Frames track on theFeature Control Panel to proceed. The graph editor is divided into three main areas a hierarchy area at top left, a canvas area at top right, and a tool area at the bottom. You can change the width of the hierarchy area by sliding the gutter on its right. You can partially or completely close the tool area with the toolbox at left. A minimal view is particularly handy when the graph editor is embedded in a viewport layout. In the hierarchy area. you can select trackers by clicking their line. You can control-click to toggle selections, or shift-drag to select a range. The scrollbar at left scrolls the hierarchy area. You can also select trackers in the canvas area in squish mode, using the same mouse operations as in the hierarchy area. The icons next to the tracker name provide quick control over the tracker visibility, color, lock status, and enable. Warning you can not change the enable, or much else, of a tracker while it is locked! The small green swatch shows the display color of a tracker or mesh. Double-clicking brings up the color selection dialog so you can change the display color. You can shift-click a color, and add all trackers of that color to the current selection, control-click the swatch of an unselected tracker to select only trackers of that color, or control-click the swatch on a selected tracker to unselect the trackers of that color. Jumping ahead, the graph editor hierarchy also shows any coordinate-system lock settings for each tracker x, y, and z for the respective axis constraints; l (lower-case L) when there is a linked tracker on the same object; i for a linked tracker on a different object (an indirect link); d for a distance constraint; 0 for a zero-weighted tracker; p for a pegged tracker; F for a tracker you specified to be far; f for a tracker not requested to be far, but solved as far for cause. Introduction to Tracker Graphs The graph editor helps you find bad trackers and identify the bad portions of their track. The graph editor has a very extensive feature set that we will begin to overview; for full details see thegraph editor reference. We won’t get to the process of how to find the worst ones until the end of the section, when you understand the viewport. To begin, open the graph editor and select the graphs mode. Selecting a tracker, or exposing its contents, causes its graphs to appear. In this example, a tracker suddenly started jumping along fence posts, from pole to pole on three consecutive frames. The red curve is the horizontal U velocity, the green is the vertical V velocity, and the purple curve is the tracker figure-of-merit (for supervised trackers). You can see the channels listed under Tracker15 at left. The green circles show which channels are shown; zoom, pan, and color controls are adjacent. Double-clicking will turn on or off all the related channels. There are a variety of different curves available, not only for the trackers but for other node types within SynthEyes. The graph editor is amult-curveeditor—any number of completely different kinds of curves can be displayed simultaneously. There is no single set of coordinate values in the vertical direction because the zoom and pan can be different for each kind of channel. To determine the numeric value at any particular point on a curve, put the mouse over it and the tooltip will pop up with the set of values. The graph editor displays curves for each node that is exposed (its channels are displayed; Enable, U. Vel, V. Vel, etc above). The graph editor also displays curves for all selected nodes (trackers, cameras, or moving objects) as long as theDraw Curves for Selected Nodesbutton is turned on. This gives you quite a bit of quick control over what is drawn, and enables you to compare a single tracker or camera s curves to any other tracker as you run through them all, for example. You zoom a channel by dragging the small zoom icon. The zoom setting is shared between all channels with the same type. For example, the U and V velocity channels are the same type, as are the X, Y, and Z position channels of the camera. But the U velocity and U position are different types. If you click on the small Zoom icon, the other zoom icons of the same type will flash. The zoom setting is also shared between nodes of the same type zooming or panning on one tracker affects the other trackers too. All related channels will zoom also, so that the channels remain comparable to one another. This saves time and helps prevents some incorrect thought patterns. The pan setting is also shared between nodes, but not between channels the U velocity and V velocity can be separated out. When you pan, you’ll see a horizontal line that is the “zero level” of the channel. It will snap slightly to horizontal grid lines, making it easier to make several different curves line up to the same location. You can later check on the zero level by tapping the zoom or pan icons. There are two kinds of auto-zooms, activated by double-clicking the zoom or pan icons. The zoom double-click auto-zooms, but makes all channel of the same type have the same zero level. The pan double-click auto-zooms, but pans the channels individually. As a result, the zoom double-click keeps the data more organized and easier to follow, but the pan double-click allows for a higher zoom factor, because the zero levels can be different. For example, consider zooming an X position that runs 0 to 1, and a Y position that runs 10 to 12. If we pan double-click, the X curve will run full-screen from 0 to 2, and Y will run full-screen from 10 to 12. Note that X is not 0 to 1, because it must have the same zoom factor as Y. X will only occupy the bottom half of the screen. If we zoom double-click, X will run from 0 to 12 full screen, and Y will run from 0 to 12 full screen. The range and zero locations of both curves will be the same, and we’ll be better-able to see the relationship between the two curves. But if we want to see details, the pan-double-click is a better choice. There is no option to have X run 0 to 1 and Y run 10 to 12, by design. Both zoom and pan settings can be reset by right-clicking on the respective icons. Interpreting Figure of Merit In this example, two trackers have been supervised-tracked with a Key Every setting of 20 frames (but starting at different frames). The tracker Figure of Merit (FOM) curve measures the amount of difference between the tracker s reference pattern and what is found in the image. You see it drop down to zero each time there is a key, because then the reference and image are the same. One tracker has a small FOM value that stays mostly constant. The other tracker has a much larger FOM, and in part of the shot it is much larger. In a supervised shot, the reason for that should be investigated. You can use this curve to help decide how often to place a key automatically. The 20 frame value shown above is plenty for those features. If you see the following, you should reduce the spacing between keys. You’ll also be able to see the effect of theKey Smoothsetting the key smoothing will flatten out a steadily increasing curve into a gently rounded hump, which will reduce spikes in the final camera path. Velocity Spikes Here s an example of a velocity curve from the graph editor At frame 217, the tracker jumped about 3 pixels right, to a very similar feature. At frame 218, it jumped back, resulting in the distinctive sawtooth pattern the U velocity curve exhibits. If left as-is, this spike will result in a small glitch in the camera path on frame 217. You can repair it using theTracker control panel in the main user interface by going to frame 217. Jiggle back and forth a few frames with the S and D keys to see what s happening, then unlock the tracker and drop down a new key or two. Step around to re-track the surrounding frames with the new keys (or rewind and play through the entire sequence, which is most reliable). DeGlitch Mode You can also repair the glitch by switching to the Deglitch mode of the graph editor, then clicking on the first (positive) peak of the U velocity at frame 217. SynthEyes will compute a new tracker location that is the average of the prior and following locations. For most shots, this will eliminate the spike. If you see a velocity spike in one direction only, it will be more difficult to correct it means that the tracker has jumped to a nearby feature, and not come back. You will have to put it back in its correct location and then play (track) through the rest of the shot. The deglitch tool can also chop off the first or last frame of a tracker, which can be affected when an object moves in front, or a feature is moving offscreen. Even if the last two or three frames are bad, you can click a few times and quickly chop them off. Finding Spikes Before Solving Learn to recognize these velocity spikes directly. There are double spikes when a tracker jumps off course and returns, single spikes when it jumps off course to a similar feature and stays there, large sawtooth areas where it is chattering between near-identical features (or needs a new position key for reference), or big takeoff ramps where it gets lost and heads off into featureless territory. To help find these issues, the graph editor features the Isolate mode. Left-click it to turn it on, then right-click it to select all the trackers (it does not have to be on for right-clicking to work). With all the trackers selected, you will usually see a common pattern for most of the trackers, plus a few spots where things stick out. If you click the mouse over the spikes that stick out, that tracker will be selected for further investigation. You can push the left button and keep it down and move around investigating different curves, before releasing it to select a particular one. It can be quicker to delete extra automatic trackers, rather than repairing them. After repairing each tracker, you can right-click the isolate button again, and look for more. With two monitors, you can put the graph editor on one, and the camera view on another. With only one monitor, it may be easiest to operate the graph editor from the Camera Graphs viewport configuration. Once you are done, do arefine-mode solving cycle. Hint You can stay in Deglitch mode, and temporarily isolate by holding down the control key. This gives a quick workflow for finding and repairing glitches.
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Recommended Practice for Space Operations and Support Documentation Amer Inst of Aeronautics &? American Institute of Aeronautics & Astr? AIAA (American Institute of Aeronautics? AmerInstofAeronautics&? AmericanInstituteofAeronautics&Astr? AIAA(AmericanInstituteofAeronautics? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Reference? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Airport? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Liquid Propellant Gun Technology (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Gunter Klingenberg? John Knapton? Walter F. Morrison? Gloria P. Wren? Am Inst of Aeronautics? AmerInstofAeronautics&? GunterKlingenberg? JohnKnapton? WalterF.Morrison? GloriaP.Wren? 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Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? The Wealth of Communities Stories of Success in Local Environmental Management Kumarian Pr Inc? Charlie Pye-Smith? Borrini Garzia Feyerabend? Richard Sandbrook? Grazia Borrini? KumarianPrInc? CharliePye-Smith? BorriniGarziaFeyerabend? RichardSandbrook? GraziaBorrini? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-Planning&Management? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Government-State&LocalGovernment? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-Engineering-Civil-Environmental-Planning&Management? Subjects-Science-Technology-General&Reference Mediating Sustainability Growing Policy from the Grassroots Kumarian Pr Inc? Jutta Blauert? Simon Zadek? KumarianPrInc? JuttaBlauert? SimonZadek? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Government-SocialPolicy? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-RenewableEnergy? Subjects-Science-AgriculturalSciences-General? Road to the Sea The Story of James B. Eads and the Mississippi River Firebird Pr? Florence Dorsey? FirebirdPr? FlorenceDorsey? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-UnitedStates-General? Subjects-Biographies&Memoirs-SpecificGroups-Adventurers&Explorers? 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Control Panel Reference SynthEyes has the following control panels · Summary Panel · Rotoscope Control Panel · Feature Control Panel · Tracking Control Panel. · Lens Control Panel. · Solver Control Panel. · Coordinate System Control Panel. · 3-D Control Panel. · Lighting Control Panel. · Flex/Curve Control Panel. Select via the control panel selection portion of the main toolbar. The Graph Editor icon appears in the toolbar area to indicate a nominal workflow, but it launches a floating window. Additional panels are described below · Add Many Trackers Dialog · Advanced Features · Clean Up Trackers · Coalesce Nearby Trackers · Curve tracking control · Finalize Trackers · Fine-Tuning Panel · Green-screen control · Hard and Soft Lock Controls · Hold Tracker Preparation Tool · Image Preparation · Spinal Editing Control The shot-setup dialog is described in the sectionOpening the Shot. Spinners SynthEyes uses spinners, the stacked triangles on the right of the following graphic ( ), to permit easy adjustment of numeric fields on the control panels. The spinner control provides the following features · Click either triangle to increase or decrease the value in steps, · Drag within the control to smoothly increase and decrease the value, · Turns red on key frames, · Right-click to remove a key, or if none, to reset to a predefined value, · Shift-drag or -click to change the value much more rapidly, · Control-drag or -click to change the value slowly for fine-tuning. Tool Bar New, Open, Save, Undo, Redo. Buttons. Standard Windows (only). Use the Undo/Redo menu items instead to see what function will be undone or redone. (Control Panel buttons). Changes the active control panel. Forward/Backward (/). Button. Changes the current playback and tracking direction. Reset Time. Button. Resets the timebar so that the entire shot is visible. Fill. Button. The camera viewport is reset so that the entire image becomes visible. Shift-fill sets the zoom to 1 1 horizontally. Viewport Configuration Select. List box. Selects the viewport configuration. Use the viewport manager on the Window menu to modify or add configurations. Camera01. Active camera/object. Click to cycle through the cameras and objects. Play Bar Rewind Button. Rewind back to the beginning of the shot. Back Key Button. Go backwards to the previous key of the selected tracker or object. Frame Number. Numeric Field. Sequential frame number, starting at zero or at 1 if selected on thepreferences. Forward Key Button. Go forward to the next key of the selected tracker or object. To End Button. Go to the last frame of the shot. Frame Backwards. Button. Go backwards one frame. Auto-repeats. Play/Stop/. Button. Begin playing the shot, forwards or backwards, at the rate specified on the View menu. Frame Forward. Button. Go forwards one frame. Auto-repeats. Summary Panel Auto.(the big green one)Run the entire match-move process create features(blips), generate trackers, and solve. If no shot has been set up yet, you will be prompted for that first, so this is truly a one-stop button. See alsoSubmit for Batch. Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Green Screen.Brings up thegreen-screencontrol dialog. Zoom Lens.Check this box if the camera zooms. On Tripod.Check this box if the camera was on a tripod. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Fine-tune.Performs an extra stage of re-tracking between the initial feature tracking and the solve. Thisfine-tuning passcan improve the sub-pixel stability of the trackers on some shots. Settings.Launches the settings panel for fine-tuning. Run Auto-tracker.Runs the automatic tracking stage, then stops. Solve.Runs the solver. Not solved.This field will show the overall scene error, in horizontal pixels, after solving. Coords（共同作用）.Initiates a mode where 3 trackers can be clicked to define a coordinate system. After the third, you will have the opportunity to re-solve the scene to apply the new settings. Same as *3 on the Coordinate System panel. 3つのトラッカーが座標系を定めるためにクリックすることができるモードを始めます。 第3の後、新しいセッティングを適用するためにシーンを再解析することがあると思います。 座標系パネルの*3と同じです。 Master Solution Reset ().Clear any existing solution points and object paths. Rotoscope Control Panel The roto panel controls the assignment of a shot s blips to cameras or objects. The roto mask can also be written as an alpha channel or RGB image using the image preprocessor. Spline/Object List. An ordered list of splines and the camera or object they are assigned to. The default Spline1 is a rectangle containing the entire image. A feature is automatically assigned to the camera/object of thelastspline in the list that contains the feature. Double-click a spline to rename it as desired. Camera/Object Selector. Drop-down list. Use to set the camera/object of the spline selected in the Spline/Object List. You can also selectGarbageto set the spline as a garbage matte. Show this spline. Checkbox. Turn on and off to show or hide the selected spline. Also see the View/Only Selected Splines menu item. Key all CPs if any. Checkbox. When on, moving any control point will place a key on all control points for that frame. This can help make keyframing more predictable for some splines. Enable. Button. Animatable spline enable. Create Circle. Lets you drag out circular splines. Create Box. Lets you drag out rectangular splines. Magic Wand. Lets you click out arbitrarily-shaped splines with many control points. Delete. Deletes the currently-selected spline. Move Up. Push button. Moves the selected spline up in the Spline/Object List, making it lower priority. Move Down. Push button. Moves the selected spline down in the Spline/Object List, making it higher priority. Shot Alpha Levels. Integer spinner. Sets the number of levels in the alpha channel for the shot. For example, select 2 for an alpha channel containing only 0 or 1(255), which you can then assign to a camera or moving object. Object Alpha Level. Spinner. Sets the alpha level assigned to thecurrentcamera or object. For example, with 2 alpha levels, you might assign level 0 to the camera, and 1 to a moving object. The alpha channel is used to assign a feature only if it is not contained in any of the splines. Import Tracker to CP. Button. When activated, select a tracker then click on a spline control point. The tracker s path will be imported as keys onto the control point. Feature Control Panel Motion Profile.Select one of several profiles reflecting the kinds of motion the image makes. UseCrash Panfor when the camera spins quickly, for example, to be able to keep up. Or useGentle Motionfor faster processing when the camera/image moves only slightly each frame. Clear all blips.Clears the blips from all frames. Use to save disk space after blips have been peeled to trackers. Blips this frame. Push button. Calculates features (blips) for this frame. Blips playback range. Push button. Calculates features for the playback range of frames. Blips all frames. Push button. Calculates features for the entire shot. Displays the frame number while calculating. Once started, can’t be interrupted! Delete. Button. Clears the skip frame channel from this frame to the end of the shot, or the entire shot if Shift is down when clicked. Skip Frame. Checkbox. When set, this frame will be ignored during automatic tracking and solving. Use (sparingly) for occasional bad frames during explosions or actors blocking the entire view. Camera paths are spline interpolated on skipped frames. Advanced. Push button. Brings up a panel with additional control parameters. Link frames. Push button. Blips from each frame in the shot are linked to those on the prior frame (depending on tracking direction). Useful after changes in splines or alpha channels. Peel. Mode button. When on, clicking on a blip adds a matching tracker, which will be utilized by the solving process. Use on needed features that were not selected by the automatic tracking system. Peel All. Push button. Causes all features to be examined and possibly converted to trackers. To Golden. Push button. Marks the currently-selected trackers as “golden,” so that they won’t be deleted by the Delete Leaden button. Delete Leaden. Push button. Deletes all trackers, except those marked as “golden.” All manually-added trackers are automatically golden, plus any automatically-added ones you previously converted to golden. This button lets you strip out automatically-added trackers. Tracking Control Panel The tracker panel has two variations with different sizes for the tracker view area, and slightly different button locations. The wider version gives a better view of the interior of the panel, especially on high-resolution displays. The smaller version is a more compact layout that reduces mouse motion, and because of the reduced size, is better for use on laptops. Select the desired version using theWider tracker-view panelpreference. Tracker Interior View. Shows its interior---the inner box of the tracker.Left Mouse Drag the tracker location.Middle Scroll Advance the current frame, tracking as you go.Right Mouse Add or remove a position key at the current frame. Or, cancel a drag in progress. Create. Mode Button. When turned on, depressing the left mouse button in the camera view creates new trackers. When off, the left mouse button selects and moves trackers. Delete. Button (also Delete key). Deletes the selected tracker. Finish. Button. Brings up the finalize dialog box, allowing final filtering and gap filtering as a tracker is locked down. Lock. Button. Non-animated enable, turn on when tracker is complete; will then be locked. Tracker Type.,,,. Button. Toggles the tracker type among normal match-mode, dark spot, bright spot, or symmetric spot. Direction. Button. Configures the tracker for backwards tracking it will only track when playing or stepping backwards. Enable. Button. Animated control turns tracker on or off. Turn off when tracker gets blocked by some thing, turn back on when it becomes visible again. Contrast. Number-less spinner. Enhances contrast in the Tracker Interior View window. Bright. Number-less spinner. Turns up the Tracker Interior View brightness. Color. Rectangular swatch. Sets the display color of the tracker for the camera, perspective, and 3-D views. Now. Button. Adds a tracker position key at the present location and frame. Right-click to remove a position key. Shift-right-click to truncate, removing all following keys. Key. Spinner tells SynthEyes to automatically add a key after this many frames, to keep the tracker on track. Key Smooth. Spinner. Tracker s path will be smoothed for this many frames before each key, so there is no glitch due to re-setting a key. Name. Edit field. Adjust the tracker s name to describe what it s tracking. Pos. H and V spinners. Tracker s horizontal and vertical position, from –1 to +1. You can delete a key (border is red) by right-clicking. Shift-right-clicking will truncate the tracker after this frame. Size. Size and aspect spinners. Size and aspect ratio (horizontal divided by vertical size) of the interior portion of the tracker. Search. H and V spinners. Horizontal and vertical size of the region (excluding the actual interior) that SynthEyes will search for the tracker around its position in the preceding frame. Preceding implies lower-numbered for forward tracking, higher-numbered for backward tracking. Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the 2-D data for each frame from this tracker. Higher values cause a closer match, lower values allow a sloppier match.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. Also see ZWTs below. Exact. For use after a scene has already been solved set the tracker s 2-D position to the exact re-projected location of the tracker s 3-D position. A quick fix for spurious or missing data points, do not overuse. See the section onfiltering and filling gaps. Note applied to a zero-weighted-tracker, error will not become zero because the ZWT will re-calculate using the new 2-D position, yielding a different 3-D and then 2-D position. F n.nnnhpix.(display field, right of Exact button) Shows the distance, in horizontal pixels, between the 2-D tracker location and the re-projected 3-D tracker location. Valid only if the tracker has been solved. ZWT. When on, the tracker s weight is internally set to zero—it is a zero-weighted-tracker (ZWT), which does not affect the camera or object s path at all. As a consequence, its 3-D position can be continually calculated as you update the 2-D track or change the camera or object path, or field of view. The Weight spinner of a ZWT will be disabled, because the weight is internally forced to zero and special processing engaged. The grayed-out displayed value will be the original weight, which will be restored if ZWT mode is turned off. T n.nnnhpix.(display field, right of ZWT button) Shows the total error, in horizontal pixels, for the solved tracker. This is the same error as from the Coordinate System panel. It updates dynamically during tracking of a zero-weighted tracker. Lens Control Panel Field of View. Spinner. Field of view, in degrees, on this frame. Focal Length. Spinner. Focal length, computed using the current Back Plate Width on Scene Settings. Provided for illustration only. Add/Remove Key., Button. Add or remove a key to the field of view (focal length) track at this frame. Known. Radio Button. Field of view is already known (typically from an earlier run) and is taken from the field of view seed track. May be fixed or zooming. You will be asked if you want to copy the solved FOV track to the seed FOV track—do that if you want to lock down the solved FOV. Fixed, Unknown. Radio Button. Field of view is unknown, but did not zoom during the shot. Fixed, with Estimate. Radio Button. Camera did not zoom, and a reasonable estimate of the field of view is available and has been set into the beginning of the lens seed track. This mode can make solving slightly faster and more robust.Important verify that you know, and have entered, the correct plate size before using any on-setfocal lengthvalues. A correct on-set focal length with an incorrect plate size makes the focal length useless, and this setting harmful. Zooming, Unknown. Radio Button. Field of view zoomed during shot. Lens Distortion. Spinner. Show/change the lens distortion coefficient. Calculate Distortion. Checkbox. When checked, SynthEyes will calculate the lens distortion coefficient. You should have plenty of well-distributed trackers in your shot. Add Line. Checkbox. Adds an alignment line to the image that you can line up with a straight line in the image, adjust the lens distortion to match, and/or use it for tripod or lock-off scene alignment. Kill Line. Checkbox. Removes the selected alignment line (the delete key also does this). Control-click to delete all the alignment lines at once. Axis Type. Drop-down list. Not oriented, if the line is only there for lens distortion determination, parallel to one of the three axes, along one of the three (XYZ) axes, or along one of the three axes, with the length specified by the spinner. Configures the line for alignment. - . Button. Swaps an alignment line end for end. The direction of a line is significant and displayed only for on-axis lines. Length. Spinner. Sets the length of the line to control overall scene sizing during alignment. Only a single line, which must be on-axis, can have a length. Atnnnf.Button. Shows(not set)if no alignment lines have been configured. This button shows the (single) frame on which alignment lines have been defined and alignment will take place; clicking the button takes you to this frame. Set each time you change an alignment line, or right-click the button to set it to the current frame. Align!Button. Aligns the scene to match the alignment lines defined—on the frame given by theAt…button. Other frames are adjusted correspondingly. To sequence through all the possible solutions,control-click this button. Solver Control Panel Go!Button. Starts the solving process, after tracking is complete. Master Reset. Button. Resets all cameras/objects and the trackers on them, though all Disabled camera/objects are left untouched. Control-click to clear the seed path, and optionally the seed FOV (after confirmation). Error. Number display. Root-mean-square error, in horizontal pixels, of all trackers associated with this object or tracker. Seeding Method.Upper drop-down list controlling the way the solver begins its solving process, chosen from the following methods Auto. List Item. Selects the automatic seeding(initial estimation) process, for a camera that physically moves during the shot. Refine. List item. Resumes a previous solving cycle, generally after changes in trackers or coordinate systems. Tripod. List Item. Use when the camera pans, tilts, and zooms, but does not move. Refine Tripod. List item. Resumes a previous solving cycle, but indicates that the camera was mounted on a tripod. Indirect. List Item. Use for camera/objects which will be seeded from links to other camera/objects, for example, a DV shot indirectly seeded from digital camera stills. Individual. List Item. Use for motion capture. The object s trackers are solved individually to determine their path, using the same feature on other “Individual” objects; the corresponding trackers are linked in one direction. Points. List Item. Seed from seed points, set up from the 3-D trackers panel. Use with on-set measurement data, or afterSet Allon the Coordinate Panel. You should still configure coordinate system constraints with this mode some hard locks and/or distance constraints. Path. List Item. Uses the camera/object s seed path as a seed, for example, from a previous solution or a motion-controlled camera. Disabled. List Item. This camera/object is disabled and will not be solved for. Directional Hint. Second drop-down list. Gives a hint to speed the initial estimation process, or to help select the correct solution, or to specify camera timing for “Individual” objects. Chosen from the following for Automatic objects Automatic. List Item. In automatic seeding mode, SynthEyes can be given a hint as to the general direction of motion of the camera to save time. With the automatic button checked, it doesn’t need such a hint. Left. List Item. The camera moved generally to its left. Right. List Item. The camera moved generally to its right. Up. List Item. The camera moved generally upwards. Down. List Item. The camera moved generally downwards. Push In. List Item. The camera moved forward (different than zooming in!). Pull Back. List Item. The camera moved backwards (different than zooming out!). Camera Timing Setting. The following items are displayed when “Individual” is selected as the object solving mode. They actually apply to the entire shot, not just the particular object. Sync Locked. List Item. The shot is either the main timing reference, or is locked to it (ie, gen-locked video camera). Crystal Sync. List Item. The camera has a crystal-controlled frame rate (ie a video camera at exactly 29.97 Hz), but it may be up to a frame out of synchronization because it is not actually locked. Loosely Synced. List item. The camera s frame rate may vary somewhat from nominal, and will be determined relative the reference. Notably, a mechanical film camera. Slow but sure. Checkbox. When checked, SynthEyes looks especially hard (and longer) for the best initial solution. Constrain. Checkbox for experts. When on, constraints set up using the coordinate system panel are applied rigorously, modifying the tracker positions. When off, constraints are used to position, size, and orient the solution, without deforming it. Seealignment vs constraints. Hold.Animated Button. Use to create hold regions to handle shots with amix of normal and tripod-modesections. Begin. Spinner and checkbox. Numeric display shows an initial frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the begin frame solution. Either manually or automatically, the camera should have panned or tilted only about 30 degrees. If the camera does something wild between the automatically-selected frames, or if their data is particularly unreliable for some reason, you can manually select the frames instead. The selected frame will be selected as you adjust this, and the number of frames in common shown on the status line. End. Spinner and checkbox. Numeric display shows a final frame used by SynthEyes during automatic estimation. With the checkbox checked, you can override the end frame solution. World size. Spinner. Rough estimate of the size of the scene, including the trackers and motion of the camera. Transition Frms. Spinner. When trackers first become usable or are about to become unusable, SynthEyes gradually reduces their impact on the solution, to maintain an undetectable transition. The value specifies how many frames to spread the transition over. Filter Frms. Spinner. Controls post-solving path filtering. If this control is set to 3, say, then each frame s camera position is a (weighted) average of its position within 3 frames earlier and 3 frames later in the sequence. A larger number creates a smoother path, butincreaseserrors. Overall Weight. Spinner. Defaults to 1.0. Multiplier that helps determine the weight given to the data for each frame from this object s trackers. Lower values allow a sloppier match, higher values cause a closer match, for example, on a high-resolution calibration sequence consisting of only a few frames.WARNING This control is for experts and should be used judiciously and infrequently. It is easy to use it to mathematically destabilize the solving process, so that you will not get a valid solution at all. Keep near 1. More. Button. Brings up or takes down the Hard and Soft Lock Controls dialog. Axis Locks. 7 Buttons. When enabled, the corresponding axis of the current camera or object is constrained to match the corresponding value from the seed path. These constraints are enforced either loosely after solving, with Constrain off, or tightly during solving, with Constrain on. See the section onConstraining Camera or Object Position. Animated. Right-click to remove a key on the current frame. L/R. Left/right axis (ie X) F/B. Front/back axis (Y or Z) U/D. Up/down axis (Z in Z-up or Y in Y-up) FOV. Camera field of view (available/relevant only for Zoom cameras) Pan. Pan angle around ground plane Tilt. Tilt angle up or down from ground plane Roll. Roll angle from vertical Never convert to Far.Normally, SynthEyes monitors trackers during 3-D solves, and automatically converts trackers to Far if they are found to be too far away. This strategy backfires if the shot has very little perspective to start with, as most trackers can be converted to far. Use this checkbox if you wish to try obtaining a 3-D solve for your nearly-a-tripod shot. Coordinate System Control Panel Tracker Name. Edit. Shows the name of selected tracker, or change it to describe what it is tracking. Camera/Object. Drop-down list. Shows what object or camera the tracker is associated with; change it to move the tracker to a different object or camera on the same shot (or, you can clone it there for special situations). Entries beginning with asterisk(*) are on a different shot with the same aspect and length; trackers may be moved there, though this may adversely affect constraints, lights, etc. *3. Button. Starts and controls three-point coordinate setup mode. Click it once to begin, then click on origin, on-axis, and on-plane trackers in the camera view, 3-D viewports, or perspective window. The button will sequence through Or, LR, FB, and Pl to indicate which tracker should be clicked next. Click this button to skip from LR (left/right) to FB (front/back), or to skip setting other trackers. After the third tracker, you will have the opportunity to re-solve the scene to apply the new settings. Seed Lock Group X, Y, Z.Buttons. Multi-choice buttons flip between X, X+, X-; Y, Y+, Y-; and Z, Z+,Z- respectively. These buttons control which possible coordinate-system solution is selected when there are several possibilities. Only significant when the tracker is locked on one or two axes. X, Y, Z. Spinners. An initial position used as a guess at the start of solving (if seed checkbox on), and/or a position to which the tracker is locked, depending on the Lock Type list. Seed. Mode button. When on, the X/Y/Z location will be used to help estimate camera/object position at the start of solving, if Points seeding mode is selected. Peg. Mode button. If on, and the Solver panel s Constrain checkbox is on, the tracker will be pegged exactly, as selected by the Lock Type. Otherwise, the solver may modify the constraints to minimize overall error. See documentation for details and limitations. Far. Mode button. Turn on if the tracker is far from the camera. Example If the camera moved 10 feet during the shot, turn on for any point 10,000 feet or more away. Far points are on the horizon, and their distance can not be estimated. This button states yourwish, SynthEyes may solve a tracker as far anyway, if it is determined to have too little perspective. Lock Type. Drop-down list. Has no effect if Unlocked. The other settings tell SynthEyes to force one or more tracker position coordinates to 0 or the corresponding seed axis value. Use to lock the tracker to the origin, the floor, a wall, a known measured position, etc. See the section onLock Mode Details. If you select several trackers, some with targets, some without, this list will be empty—right-click the Target Point button to clear it. Target Point. Button. Use to set up links between trackers. Select one tracker, click the Target Point button to select the target tracker by name. Or, ALT-click (Mac Command-Left-Click) the target tracker in the camera view or 3-D viewport. If the trackers are on the same camera/object, the Distance spinner activates to control the desired distance between the trackers. You can also lock one or more of their coordinates to be identical, forcing them parallel to the same axis or plane. If the trackers are on different camera/objects, you have created a link the two trackers will be forced to the same location during solving. If two trackers track the same feature, but one tracker is on a DV shot, the other on digital camera stills, use the link to make them have the same location. Right-click to remove an existing target tracker. Dist. Spinner. Sets the desired distance between two trackers on the same object. Solved. X, Y, Z numbers. After solving, the final tracker location. Error. Number. After solving, the root-mean-square error between this tracker s predicted and actual positions. If the error exceeds 1 pixel, look for tracking problems using the Tracker Graph window. [FAR]. This will show up after the error value, if the tracker has been solved as far. Set Seed. Button. After solving, sets the computed location up as the seed location for later solver passes using Points mode. All. Button. Sets up all solved trackers as seeds for subsequent passes. Exportable. Checkbox. Uncheck this box to tell savvy export scripts not to export this tracker. For example, exporting to a compositor, you may want only a half dozen of a hundred or two automatically-generated trackers to be exported and create a new layer in the compositor. Non-exportable points are shown in a different color, somewhat closer to that of the background. 3-D Control Panel Creation Mesh Type. Drop-down. Selects the type of object created by the Create Tool. Create Tool. Mode button. Clicking in a 3-D viewport creates the mesh object listed on the creation mesh type list, such as a pyramid or Earthling. Most mesh objects require two drag sequences to set the position, size, and scale. Note that mesh objects are different than objects created with the Shot Menu s Add Moving Object button. Moving objects can have trackers associated with them, but are themselves null objects. Mesh objects have a mesh, but no trackers. Often you will create a moving object and its trackers, then add a mesh object(s) to it after solving to check the track. Object name. Editable drop-down. The name of the object selected in the 3-D or camera viewports. Changeable. Delete. Button. Deletes the selected object. Lock Selection. Mode button. Locks the selection in the 3-D viewport to prevent inadvertent reselection when moving objects. World/Object. Mode button. Switches between the usual world coordinate system, and the object coordinate system where everything else is displayed relative to the current object or camera, as selected by the shot menu. Lets you add a mesh aligned to an object easily. Move Tool. Mode button. Dragging an object in the 3-D viewport moves it. Rotate Tool. Mode button. Dragging an object in the 3-D viewport rotates it about the axis coming up out of the screen. Scale Tool. Mode button. Dragging an object in the 3-D viewport scales it uniformly. Use the spinners to change each axis individually. Make/Remove Key., Button. Adds or removes a key at the current frame for the currently-selected object. Show/Hide. Button. Show or hide the selected mesh object. Object color. Color Swatch. Object color, click to change. X/Y/Z Values. Spinners. Display X, Y, or Z position, rotation or scale values, depending on the currently-selected tool. Size. Spinner. This is an overall size spinner, use it when the Scale Tool is selected to change all three axis scales in lockstep. Whole. Button. When moving a solved object, normally it moves only for the current frame, allowing you to tweak particular frames. If you turn on Whole, moving the object moves the entire path, so you can adjust your coordinate system without using locks. If you do this, you should set up some locks subsequently and switch to Point or Path seeding, or you will have to readjust the path again if you re-solve.Hint Whole mode has some rules to decide whether or not to affect meshes. To force it to include all meshes in the action, turn onWhole affects mesheson the 3-D viewport and perspective window s right-click menu. Blast. Button. Writes the entire solved history onto the object s seed path, so it can be used for path seeding mode. Reset. Button. Clears the object s solved path, exposing the seed path. Cast Shadows. (Mesh) Object should cast a shadow in the perspective window. Catch Shadows. (Mesh) Object should catch shadows in the perspective window. Back Faces. Draw the both sides of faces, not only the front. Invert Normals. Make the mesh normals point the other way from their imported values. Lighting Control Panel New Light. Button. Click to create a new light in the scene. Delete Light. Button. Delete the light in the selected-light drop-down list. Selected Light. Drop-down list. Shows the select light, and lets you change its name, or select a different one. Far-away light. When checked, light is a distant, directional, light. When off, light is a nearby spotlight or omnidirectional(point) light. Compute over frames This, All, Lock. In the (normal) This mode, the light s position is computed for each frame independently. In the All or Lock mode, the light s position is averaged over all the frames in the sequence. In the All mode, this calculation is performed repeatedly for “live updates.” In the Lock mode, the calculation occurs only when clicking the Lock button. New Ray. Button. Creates a new ray on the selected light. Delete Ray. Button. Delete the selected ray. Previous Ray ( ). Button. Switch to the previous lower-numbered ray on the selected light. Ray Number. Text field. Shows something like 1/3 to indicate ray 1 of 3 for this light. Next Ray ( ). Button. Switch to the next higher ray on the selected light. Selected Ray Source. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. Target. Mode button. When lit up, click a tracker in the camera view or any 3-D view to mark it as one point on the ray. If the source and target trackers are the same, it is a reflected-highlight tracking setup, and the Target button will show “(highlight).” For highlight tracking to be functional, there must be a mesh object for the tracker to reflect from. Distance. Spinner. When only a single ray to a nearby light is available, use this spinner to adjust the distance to the light. Leave at zero the rest of the time. Flex/Curve Control Panel Theflex/curvecontrol panel handles both object types, which are used to determine the 3-D position/shape of a curve in 3-D, even if it has no discernable point features. If you select a curve, the parameters of its parent flex (if any) will be shown in the flex section of the dialog. New Flex. Creates and selects a new flex. Left-click successively in a 3-D view or the perspective view to lay down a series of control points. Right-click to end. Delete Flex. Deletes the selected flex (even if it was a curve that was initially clicked). Flex Name List. Lists all the flexes in the scene, allowing you to select a flex, or change its name. Moving Object List. If the flex is parented to a moving object, it is shown here. Normally, “(world)” will be listed. Show this 3-D flex. Controls whether the flex is seen in the viewports or not. Clear. Clears any existing 3-D solution for the flex, so that the flex s initial seed control points may be seen and changed. Solve. Solves for the 3-D position and shape of the flex. The control points disappear, and the solved shape becomes visible. All. Causes all the flexes to be solved simultaneously. Pixel error. Root-mean-square (~average) error in the solved flex, in horizontal pixels. Count. The number of points that will be solved for along the length of the flex. Stiffness. Controls the relative importance of keeping the flex stiff and straight versus reproducing each detail in the curves. Stretch. Relative importance of (not) being stretchy. Endiness. (yes, made this up) Relative importance of exactly meeting the end-point specification. New Curve. Begins creating a new curve—click on a series of points in the camera view. Delete. Deletes the curve. Curve NameList.Shows the currently-selected curves name among a list of all the curves attached to the current flex, or all the unconnected curves if this one is not connected. Parent Flex List.Shows the parent flex of this curve, among all of the flexes. Show.Controls whether or not the curve is shown in the viewport. Enable.Animated checkbox indicating whether the curve should be enabled or not on the current frame. For example, turn it off after the curve goes off-screen, or if the curve is occluded by something that prevents its correct position from being determined. Key all.When on, changing one control point will add a key on all of them. Rough.Select several trackers, turn this button on, then click a curve to use the trackers to roughly position the curve throughout the length of the shot. Truncate.Kills all the keys off the tracker from the current frame to the end of the shot. Tune.Snaps the curve exactly onto the edge underneath it, on the current frame. All.Brings up theCurve Tracking Controldialog, which allows this curve, or all the curves, to be tracked throughout an entire range of frames.
https://w.atwiki.jp/csdejp/pages/37.html
?xml version="1.0" encoding="windows-1251" ? string_table string id="ui_map_desc_mp_agroprom_large" text Ein seltsamer Ort. In diesem stillen Geb舫de verbergen sich wahrscheinlich viele Geheimnisse, aber Stalker werden aus einem anderen Grund von ihm angezogen - dieses risikoreiche / lohnenswerte Gebiet beherbergt eine Vielzahl von Artefakten. Das Gl・k ist mit denen, die schnell denken und handeln. /text /string string id="ui_map_desc_mp_agroprom_short" text Ein seltsamer Ort. In diesem stillen Geb舫de verbergen sich wahrscheinlich viele Geheimnisse, aber Stalker werden aus einem anderen Grund von ihm angezogen - dieses risikoreiche / lohnenswerte Gebiet beherbergt eine Vielzahl von Artefakten... /text /string string id="ui_map_desc_mp_atp_large" text Ein Busdepot, direkt am Eingang zur Zone. Die Traktoren, Busse und LKWs sind fahrunt・htig... Hier wurden bisher keine Artefakte gefunden, aber die Gegend ist bei erfahrenen Stalkern beliebt. Sie jagen hier Anf舅ger und nehmen ihnen ihre ohnehin armseligen Habseligkeiten ab. Suche Schutz in Geb舫den und hinter Fahrzeugen und nimm dich vor auf den D臘hern lauernden Gegnern in Acht. /text /string string id="ui_map_desc_mp_atp_short" text Ein Busdepot, direkt am Eingang zur Zone. Die Traktoren, Busse und Lkws sind fahrunt・htig... /text /string string id="ui_map_desc_mp_bath_large" text Ein r舩selhafter und faszinierender Ort. Dieses Becken wurde angelegt, um irgendwelche Experimente durchzuf・ren. Sein genauer Zweck wird allerdings f・ immer ein R舩sel bleiben. Hier gibt es keine Artefakte, der einzige Grund f・ einen Stalker hierher zu kommen, besteht also in den bizarren Maschinen und Ger舩schaften. Behalte die D臘her gut im Auge und bedenke, dass hier ein sehr hohes Strahlungsniveau herrscht. /text /string string id="ui_map_desc_mp_bath_short" text Ein r舩selhafter und faszinierender Ort. Dieses Becken wurde angelegt, um irgendwelche Experimente durchzuf・ren. Sein genauer Zweck wird allerdings f・ immer ein R舩sel bleiben. /text /string string id="ui_map_desc_mp_factory_large" text Diese trostlose, verlassene Fabrik wurde zum Friedhof zahlloser Stalker. Eine Vielzahl an Anomalien erwartet die Besucher, die trotzdem in Scharen herbeistren - angezogen von den wertvollen Artefakten. Vorsicht vor der Strahlung! /text /string string id="ui_map_desc_mp_factory_short" text Diese trostlose, verlassene Fabrik wurde zum Friedhof zahlloser Stalker. /text /string string id="ui_map_desc_mp_garbage_large" text Teil eines riesigen und stinkenden Schrottplatzes, auf dem nach der Katastrophe von 1986 radioaktive Abf舁le gelagert wurden. Ein Ort voller schrottreifer Kr舅e und diverser Ger舩schaften. Zu den anderen tlichen Anziehungspunkten gehen alte, verfallene Geb舫de und ein groﾟer Hangar. Die N臧e zum Eingang der Zone und eine F・le von Artefakten ziehen Stalker an, die auf leichte Beute aus sind. /text /string string id="ui_map_desc_mp_garbage_short" text Teil eines riesigen und stinkenden Schrottplatzes, auf dem nach der Katastrophe von 1986 radioaktive Abf舁le gelagert wurden. Ein Ort voller schrottreifer Kr舅e und diverser Ger舩schaften. /text /string string id="ui_map_desc_mp_lost_village_large" text Ein verlassenes Dorf in den Tiefen der Zone. Ein ebenso kleiner wie flacher, rostfarbener See - Heimstatt unz臧liger Fahrzeuge - der einen mit namenloser Angst vor der Zone erf・lt. Achte auf Scharfsch・zen und denke daran Die Zone liebt die Mutigen. /text /string string id="ui_map_desc_mp_lost_village_short" text Ein verlassenes Dorf in den Tiefen der Zone. Ein kleiner, flacher, rostfarbener See - Heimstatt unz臧liger Fahrzeuge - der einen mit namenloser Angst vor der Zone erf・lt. /text /string string id="ui_map_desc_mp_military_1_large" text Eine verlassene Armeebasis mit fahrunt・htigen LKWs und MTWs, einem verfallenen Hauptquartier und einigen Baracken. Dass der Ort so verlassen aussieht, t舫scht Er ist eine Goldmine f・ Artefakte. Das heiﾟt, hinter jeder Ecke kann ein Gegner lauern. Zeig ihnen, was du draufhast! /text /string string id="ui_map_desc_mp_military_1_short" text Eine verlassene Armeebasis mit fahrunt・htigen LKWs und MTWs, einem verfallenen Hauptquartier und einigen Baracken. /text /string string id="ui_map_desc_mp_military_2_large" text Dieses alte Dorf ist ein wahrhaft unheiliger Ort. Wenn du mutig genug bist, hierher zu kommen, mach dich bereit f・ ein herzliches Willkommen in Form einer Kugel in den Kopf. Hier kannst du dich nirgends sicher f・len. Men dein Zielfernrohr und dein Schalld舂pfer mit dir sein. /text /string string id="ui_map_desc_mp_military_2_short" text Dieses alte Dorf ist ein wahrhaft unheiliger Ort. Wenn du mutig genug bist, hierher zu kommen, mach dich bereit f・ ein herzliches Willkommen in Form einer Kugel in den Kopf. /text /string string id="ui_map_desc_mp_prypiat_large" text Prypjat ist der ehemalige Wohnort des AKW-Personals oder dessen, was davon ・rig ist. In den ﾜberresten dieser Industrieruine lauern sehr reale Gefahren. Nimm dich in Acht. /text /string string id="ui_map_desc_mp_prypiat_short" text Prypjat, nicht weit vom AKW gelegen, ist das Erbe der Katastrophe von Tschernobyl. /text /string string id="ui_map_desc_mp_railraod_short" text Ein kleiner Bahnhof in der N臧e der Rostok-Fabrik. /text /string string id="ui_map_desc_mp_railroad_large" text Ein kleiner Bahnhof in der N臧e der Rostok-Fabrik, voller verrosteter, fahrunt・htiger Waggons und Lokomotiven. Eine F・le an Artefakten zieht furchtlose Stalker aus allen Ecken der Zone an. /text /string string id="ui_map_desc_mp_rostok_large" text Diese Fabrik, begraben unter groﾟen Mengen von Metall und Beton, liegt in bedr・kender Stille. Im letzten Jahrhundert herrschte hier rege Betriebsamkeit Arbeiter, die zum Schichtbeginn eilten, Sowjet-Parolen, die aus den Lautsprechern widerhallten... Diese Zeiten sind vorbei und die Fabrik liegt da wie tot. /text /string string id="ui_map_desc_mp_rostok_short" text Eine verlassene alte Fabrik, begraben unter groﾟen Mengen von Metall und Beton. Hier herrscht Totenstille. /text /string string id="ui_map_desc_mp_workshop_large" text Dies waren die Ausl舫fer der Rostok-Fabrik, bevor die W臘hter sich dort niederlieﾟen. Ein schauriger Ort, der dennoch reich an Artefakten ist. Jeder leere Hangar und jedes Lagerhaus birgt tliche Gefahren. Sei 舫ﾟerst wachsam und behalte den weiﾟen Turm im Auge... /text /string string id="ui_map_desc_mp_workshop_short" text Dies waren die Ausl舫fer der Rostok-Fabrik, bevor die W臘hter sich dort niederlieﾟen. Ein schauriger Ort, der dennoch reich an Artefakten ist. /text /string string id="ui_map_desc_mp_autostation_large" text Verlassenes Depot und angrenzendes Gebiet. Hier kann man etwas Ausr・tung und Vorr舩e finden - wenn man gut genug danach sucht. Nimm dich in Acht vor starken Anomalien und Sch・zen auf dem Dach des Depots, von dem man so gut wie s舂tliche Zug舅ge einsehen kann. /text /string string id="ui_map_desc_mp_autostation_short" text Verlassenes Depot und angrenzendes Gebiet. Nimm dich in Acht vor starken Anomalien und Sch・zen... /text /string string id="ui_map_desc_mp_firestation_large" text Die Feuerwache, deren gesamte Einsatzkr臟te bei der Katastrophe im AKW Tschernobyl 1986 eingesetzt wurden. Von dem Turm hat man eine gute ﾜbersicht ・er die Umgebung. Nur wenige wagen sich in die heren Stockwerke und die Untergeschosse des Geb舫des. Es wird schon einen Grund daf・ geben. In dieser Gegend prallen schon seit einiger Zeit die Fraktionen der Zone aufeinander - beim Kampf um die beste strategische Ausgangsposition. /text /string string id="ui_map_desc_mp_firestation_short" text Die Feuerwache, deren gesamte Einsatzkr臟te bei der Katastrophe im AKW Tschernobyl 1986 eingesetzt wurden. Von dem Turm hat man eine gute ﾜbersicht ・er die Umgebung... /text /string string id="ui_map_desc_mp_limansk_large" text Ein kleiner Teil der r舩selhaften Stadt Limansk - dort findet man verlassene Wohnblocks und ein halb fertiggestelltes Geb舫de. Als hier ein paar wertvolle Artefakte gefunden wurden, verbreitete sich die Nachricht wie ein Lauffeuer in der Zone. Seitdem einige Straﾟen nach Limansk gefnet wurden, wird dort ununterbrochen gek舂pft. /text /string string id="ui_map_desc_mp_limansk_short" text Ein kleiner Teil der r舩selhaften Stadt Limansk - dort findet man verlassene Wohnblocks und ein halb fertiggestelltes Geb舫de. /text /string string id="ui_map_desc_mp_pool_large" text Das ist kein Becken, sondern eher ein Blutbad. Echos von Sch・sen, Explosionen und die Schreie der Sterbenden hallen durch seine gefliesten Korridore... Nur wenige Stalker kennen den Weg hierher und noch weniger kennen einen Weg heraus. /text /string string id="ui_map_desc_mp_pool_short" text Das ist kein Becken, sondern eher ein Blutbad. Echos von Sch・sen, Explosionen und die Schreie der Sterbenden hallen durch seine gefliesten Korridore... /text /string string id="ui_map_desc_mp_rembasa_large" text Eine Reparaturbasis in der N臧e eines kleinen Dorfes. S舂tliche betriebsf臧igen Fahrzeuge wurden bei der Katastrophe von Tschernobyl eingesetzt. Inzwischen wurde der Rest der Ausr・tung zur Beschaffung von Ersatzteilen gepl・dert. Die Gegend ist voller Gefahren wie S・pfen und verschmutztem Schilf. Aber mit etwas Gl・k kann man dort etwas Wertvolles finden. /text /string string id="ui_map_desc_mp_rembasa_short" text Eine Reparaturbasis in der N臧e eines kleinen Dorfes. Die Gegend ist voller Gefahren wie S・pfen, verschmutztem Schilf und ﾄhnlichem. /text /string string id="ui_map_desc_mp_sport_center_large" text Ein Sportzentrum in Prypjat nicht weit von der verlassenen Schule. Die Sportarten, die hier trainiert werden, haben sich seit 1986 stark ver舅dert, genau wie die Anzahl der Teilnehmer. Stalker werden von zweifelhaftem Ruhm, Beute und Artefakten angezogen... Manche bleiben f・ immer hier. /text /string string id="ui_map_desc_mp_sport_center_short" text Ein Sportzentrum in Prypjat nicht weit von der leerstehenden Schule. /text /string string id="ui_map_desc_mp_darkvalley_large" text Eine lange Straﾟe und eine verlassene Universit舩... das ist alles, was im Dunklen Tal noch ・rig und interessant ist. Man weiﾟ nicht mehr genau, was fr・er an der Universit舩 gelehrt wurde... aber heutzutage kann man dort nur lernen, wie man ・erlebt. Und ja, sei sehr vorsichtig auf den D臘hern! /text /string string id="ui_map_desc_mp_darkvalley_short" text Eine lange Straﾟe und eine verlassene Universit舩... das ist alles, was im Dunklen Tal noch ・rig und interessant ist... /text /string string id="mp_autostation" text Verlassenes Depot /text /string string id="ui_map_desc_mp_training_camp_short" text Ein sehr seltsamer Ort. Gravitationsanomalien haben die Erde aufgerissen und eine Mondlandschaft hinterlassen... /text /string string id="ui_map_desc_mp_training_camp_large" text Ein sehr seltsamer Ort. Viele lachen ・er Stalker, die behaupten, dass sie den Ort schon einmal gesehen haben, aber er existiert wirklich. Gravitationsanomalien haben dort die Erde aufgerissen und eine Mondlandschaft hinterlassen. Das Gebiet wird von drei groﾟen T・men bestimmt, ﾜberbleibseln der Milit舐pr舖enz, die auf groﾟen Erdhaufen thronen. /text /string /string_table